/   FUNERAL MARCH OF A MARIONETTE
 /   CHARLES GOUNOD
 /   4 VOICES
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P08/ NEW WORLD SYMPHONY, 4TH MOVEMENT
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V3I2'$$-1'H0"
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P07/ BRANDENBURG CONCERTO NO. 5
V1YDV2YDV3YDV4YDV5YD
M *I1'3'5'8'S7876'5432
V3@IDD"$D"9"8"7"9"
V4@IDD"$D"9"8"7"9"
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P08/ CONCERTO IN G MAJOR
K1#
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M *S8AC87#9C78AC879C7
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V4@I5"6#"5"6"5"0"1"8"
P09/ FLUTE SONATA NO. 5
V1YAV2YAV3YAV4YDV5YA
M *S99'9ABB'CBAA'DD'99'CC'
V3@I5'5'+2'+2'+1'+1'0'0'
M *S88'7899'A988'BB'77'CC'
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M *SBB'AAAA'999'878'9999
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M *QA"A"AA"
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P10/ GAVOTTE FROM FLUTE SONATA OP.1 NO.7
K4#
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P11/ SUITE IN A MINOR
K0#
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M *SCB#CDCBCDCBCDCBCD
V3@Q9"8"7"4"
V4@Q9"8"7"4"
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V3@I6"1"7"0"33"$4"
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M *SBABC,A9AB,9987,89AB,
V3@I5"0"6"1"77"$5"
V4@I5"0"6"1"77"$5"
M *SCBCD&,BABC,A9AB,989A,
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M *S99,87,9876'
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P12/ VIOLIN SONATA NO.4
K3&
V1YCV2YCV3YCV4YCV5YC
M *S7743#4476%I70'09
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M *SEE'EDEE87I8ADD
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P13/ ALLEGRO SPIRITOSO
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P14/ L'ESTATE FROM THE FOUR SEASONS
K2&
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M *S18765FEDCBA9%ACBA
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P15/ L'INVERNO
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P12/ GAVOTTE
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P13/ CHORALE PRELUDE "WACHET AUF"
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JASE88FFBEFFJBSEEB80003FJCSDF9F0A0FEJDSF4080000FJES80011001E
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P01/WEDDING MARCH
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P02/RADETSKY MARCH
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P03/TOCCATA
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P04/ WATER MUSIC
V1YCV2YCV3YCV4YCV5YD
M *Q1'4'T56565$45I6'4
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P05/ HUMORESQUE
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P06/ LULLABY
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P07/ QUEEN OF SHEBA
V1YCV2YCV3YCV4YCV5YD
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P08/ PROMENADE
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P09/ MOUNTAIN KING
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P10/ CAPRICE NO. 12
V1YDV2YDV3YDV4YDV5YD
M *I6S$6'6876AA'$3'354#3
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P11/ RIDE OF THE VALKYRIES
V1YCV2YCV3YCV4YCV5YC
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P12/ FINGLES CAVE
V1YEV2YEV3YEV4YEV5YE
M *I$A8'S78Q63'
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V4U7IFB6BFB6B
V5U7
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V3@TF8F8F8F8F8F8F8F8
V4TF8F8F8F8F8F8F8F8
P13/ MILITARY MARCH
V1YBV2YBV3YBV4U0YBV5U7YB
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P14/ POLONAISE IN A
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V5_(I8"SA"B"C"B"A"9")1
M *IE;$C;SD;X$$CDIE;D;C;B;
V2@I5;$$$5;$$$
V3I7;2;2;2;7;2;2;2;
V4I9;2;2;2;9;2;2;2;
V5_(I8"SA"B"C"B"A"9")1
M *IA;D;B;9;C;$C;SD;X$$CD
V2@I$2;$1;5;
V3I6;4;5;3;7;2;2;2;
V4I6;4;5;3;9;2;2;2;
V5_(I8"SA"B"C"B"A"9")1
M *IE;$C;SD;X$$CDIE;D;C;B;
V2@I5;$$$5;$$$
V3I7;2;2;2;7;2;2;2;
V4I9;2;2;2;9;2;2;2;
V5_(S8"9"A"B"C"B"A"9")1
M *IA;B;C;D;B;9;C;SD;X$$CD
V2@I$2;$2;$1;
V3I6;4;6#;4;5;3;5;5;
V4I6;4;6#;4;5;3;5;5;
V5_(S8"9"A"B"C"B"A"9")1
M *IE;$C;SD;X$$CDIE;D;C;B;
V2@I5;$$$5;$$$
V3I7;2;2;2;7;2;2;2;
V4I9;2;2;2;9;2;2;2;
V5_(S8"9"A"B"C"B"A"9")1
M *IA;D;B;9;C;$
V2I@$2;$1;+7
V3I@6;4;5;3;2;
V4I@6;4;5;3;2;
V5_S8"9"A"B"C"B"A"9"IA"
P02/ PIANO SONATA IN C MAJOR
K0#
V1YAV2YAV3YEV4YDV5YA
M *ID$
V2IA%;
V3I8;
V4@I3%;
V5@I3%;
P00V5YD
M *Q77'9'B'
V2I$42494B4
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V4@Q7"7E7
V5_Q9"9"9"9"
M *Q.6S78H7;
V2I$43$$424
V3@I66AA7CBA
V4@I66AA7CBA
V5_Q9"9"9"9"
M *HQCCBE
V2I$A7AB9E9
V3@I77"77"7"737
V4@I77"77"7"737
V5_Q9"9"9"9"
M *QB'S:ABA9AAH9'
V2I$$$$$747
V3@I8"8"AA7CA7
V4@I8"8"AA7CA7
V5_Q9"9"9"9"
M *S556789ABCBA98765
V3@QB"4"4"B"
V4@QB"4"4"B"
V5_Q9"9"9"9"
M *S4456789ABA987654
V3@QC"5"5"C
V4@QC"5"5"C
V5_Q9"9"9"9"
M *S33456789A9876543
V3@QD"6"6"D"
V4@QD"6"6"D"
V5_Q9"9"9"9"
M *S24I7;86;7$9$
V2*I$$3$2
V3@IE"$A"$7"C"B"A"
V4@IE"$A"$7"C"B"A"
V5_Q9"9"9"
P03/ EINE KLEINE NACHTMUSIK
V1YBV2YBV3YAV4YDV5YD
M *I999'B'A'8'A'C'
V2I7'4'7'9'8'6'8'A'
V3@Q7"7"7"7"
V4@Q7"7"7"7"
V5_(TC"D"E"F"I$)3
M *I.B'S9'IB'$E,EED
V2I.9'S7'I9'$C,CCB
V3@Q7"7"7"E"
V4@Q7"7"7"E"
V5_(TC"D"E"F"I$)3
M *IC,CCB'BA'A9'
V2IA,AA9'98'87'
V3@Q7"E"8"7"
V4@Q7"E"8"7"
V5_(TC"D"E"F"I$)3
M *I.B'S9I8'$9$9$
V2I.9'S7I6'$7474
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V4@QA"A"7"7"
V5_(TC"D"E"F"I$)3
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V2I7'4'7'9'8'6'8'A'
V3@Q7"7"7"7"
V4@Q7"7"7"7"
V5_(TC"D"E"F"I$)3
M *I.B'S9'IB'$EB'B9'
V2I.9'S7'I9'$B9'97'
V3@Q7"7"C"C"
V4@Q7"7"C"C"
V5_(TC"D"E"F"I$)3
M *I8C;SBA987777;9878;
V2I$A;
V3@QB"B"A"A"
V4@QB"B"A"A"
V5_(TC"D"E"F"I$)3
M *S(7BEB,)3
V3@IEE"EE"E"7"8&"A"
V4@IEE"EE"E"7"8&"A"
V5_(TC"D"E"F"I$)3
P04/ PIANO CONCERTO NO. 21
K1&
V1YAV2YAV3YEV4YDV5YA
M *QAI.A'S7QCI.C'SA
V3@IB49474'4'4'
V4@IB49474'4'4'
V5_ID"A"A"A"D"A"A"A"
M *H.E;SDCBA,
V3@IB49474B7
V4@IB49474B7
V5_ID"A"A"A"D"A"A"A"
M *QA#IB,$H$
V3@IE7C7A7'7'7'
V4@IE7C7A7'7'7'
V5_ID"A"A"A"D"A"A"A"
M *Q779B
V3@IE7C7A7'7'7'
V4@IE7C7A7'7'7'
V5_ID"A"A"A"D"A"A"A"
M *HDID'FED
V3@IE7C7A7E7
V4@IE7C7A7E7
V5_ID"A"A"A"D"A"A"A"
M *IB#C'C,$H$
V3@IB49474'4'4'
V4@IB49474'4'4'
V5_ID"A"A"A"D"A"A"A"
M *T(E7)7Q.-2;I-2
V2T(A3)7
V5T(9&2&)7_ID"A"A"A"
V3@IB474B'BA9
V4@IB474B'BA9
M @01;11;H$
V3@I8464B484
V4@I8464B484
V5_ID"A"A"A"D"A"A"A"
M *T(F8)7Q.-1%;I-1
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V5T(A3)7_ID"A"A"A"
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V4@I8%1%614488
M *Q0;EE"SD&CBA
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V4@I74B4947'7'
V5_ID"A"A"A"D"A"A"A"
M *T9A9A9A9A9A9A9A9A
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V4@I87A7
V5_ID"A"A"A"
M *T9A9A9A9A9A9A9$89
V3@ICEDC
V4@ICEDC
V5_ID"A"A"A"
P05/ PIANO SONATA IN C MAJOR
V1YEV2YEV3YEV4YDV5YE
M *IE,C,AAA,SBCIB;A;
V3@IB,4,B,4,B,4,B,4,
V4@IB,4,B,4,B,4,B,4,
V5_S(-C;D;-E;F;)3
M *S:ABAI9;99;H$
V2Q$I45;65;64;
V3@IA,3,A,3,A,3,A,3,
V4@IA,3,A,3,A,3,A,3,
V5_S(-C;D;-E;F;)3
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V3@IB,4,B,4,B,4,9,8,
V4@IB,4,B,4,B,4,9,8,
V5_S(-C;D;-E;F;)3
M *S:ABAI9;99;Q$I$S7,7,
V2Q$I45;65;64;
V3@I7,7,E,7,E,7,E,7,
V4@I7,7,E,7,E,7,E,7,
V5_S(-C;D;-E;F)3
P06/ A MUSICAL JOKE
V1YDV2YCV3YCV4YDV5YD
M *S77,5,5,55,8,8,8,7,6,5,44,5,5,
V3@IB;$B;$8;$7;$
V4@IB;$B;$8;$7;$
V5_(IB"SE"E")3
M *S55,3,3,33,6,6,5,4,3,2,11,8,8,
V3@I6;$6;A;9;9;D;9;
V4@I6;$6;A;9;9;D;9;
V5_(IB"SE"E")3
M *S7,6,5,4,33,7,7,
V3@I7;E;B;$
V4@I7;E;B;$
V5_(IB"SE"E")1
M *S77,5,5,55,8,8,8,7,6,5,44,5,5,
V3@IB;$B;$8;$7;$
V4@IB;$B;$8;$7;$
V5_(IB"SE"E")3
M *S55,3,3,33,6,6,5,4,3,2,11,8,8,
V3@I6;$6;A;9;9;D;9;
V4@I6;$6;A;9;9;D;9;
V5_(IB"SE"E")3
M *S7,6,5,4,33,5,5,
V3@I7;E;B;$
V4@I7;E;B;$
V5_(IB"SE"E")1
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V2@I2;$4;$3;$3;$
V3@I4;$6;$5&;$5;$
V4@I4;$8;$A;$7;
V5_(IB"SE"E")3
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V2@I5&;$2&;$4;$3;
V3I9&;$4;$6;$5;
V4I9&;$6&;$8;$5;
V5_(IB"SE"E")3
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V3@I9&;$9;$D&;$C&;
V4@I9&;$9;$D&;$C&;
V5_(IB"SE"E")3
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V4@IB;4;6&;8;7;E;B;8;
V5_(IB"SE"E")3
M *S7,6,5,4,33,7,7,
V3@I7;E;B;$
V4@I7;E;B;$
V5_(IB"SE"E")1
M *S77,5,5,55,8,8,8,7,6,5,44,5,5,
V3@I4;$4;7;8;8;7;E;
V4@I4;$4;7;8;8;7;E;
V5_(IB"SE"E")3
M *S55,3,3,33,6,6,5,4,3,2,11,8,8,
V3@ID;$6;A;9;9;D;8;
V4@ID;$6;A;9;9;D;8;
V5_(IB"SE"E")3
M *S7,6,5,4,33,8,8,7,6,5,4,33,8,8,
V3@I7;E;B;8;7;E;B;8;
V4@I7;E;B;8;7;E;B;8;
V5_(IB"SE"E")3
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V3@I7;E;BB;5&5"
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P07/ ARIA FROM "THE MARRIAGE OF FIGARO"
K2&
V1YBV2YBV3YBV4YDV5YD
M *I.A,SA,
V2I.5,
V3@Q5&;
V4@QB;
V5_X(DF)7
M *S8888,AAA,A8888,AAA,A
V2S6666,888,86666,888,8
V3@Q8,1,8,1,
V4@Q8,1,8,1,
V5_Q$X(DF)7Q$X(DF)6
M *Q97,$S999,9
V2Q75,$S777,7
V3@QB,4,4,4,
V4@QB,4,4,4,
V5_Q$X(DF)7Q$X(DF)6
M *S7777,999,97777,999,9
V2S5555,777,75555,555,5
V3@QB,4,B,4,
V4@QB,4,B,4,
V5_Q$X(DF)7Q$X(DF)6
M *Q86,$S666,8
V2Q61,$S666,8
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V4@Q8,1,1,S888,6,
V5_Q$X(DF)7Q$X(DF)6
M *SAAAA,888,ADDDD,AAA,D
V2S8888,888,AAAAA,AAA,D
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V4@S4444,666,4,1111,444,1,
V5*Q6_X(DF)7*Q8_X(DF)6
M *QF,DD;SAAA,D
V2QD,AA;S888,
V3@Q+1,1,8,8,
V4@Q+1,1,8,8,
V5*A,88;_X(DF)7
M *SAAAA,888,A9999,777,A
V2S8888,666,$7777,555,
V3@QB,4,B,4,
V4@QB,4,B,4,
V5_Q$X(DF)7Q$X(DF)6
M *Q8,S123211$$666,8
V2Q6,$$S666,8
V3@Q8,S10+1011$$888,6,
V4@Q8,S10+1011$$888,6,
V5_Q$$$X(DF)7
M *SAAAA,888,ADDDD,AAA,D
V2S8888,888,AAAAA,AAA,D
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V4@S4444,666,4,1111,444,1,
V5*Q6_X(DF)7*Q8_X(DF)6
M *QF,DD;SAAA,D
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V3@Q+1,1,8,8,
V4@Q+1,1,8,8,
V5*A,88;_X(DF)7
M *SAAAA,888,A9999,777,A
V2S8888,666,$7777,555,
V3@QB,4,B,4,
V4@QB,4,B,4,
V5_Q$X(DF)7Q$X(DF)6
M *S6666,@121211;$
V2Q$I4;$4;
V3I88;6;$6;$
V4I88;8;$8;
P08/ OVERTURE FROM "THE MARRIAGE OF FIGARO"
K2#
V1YDV2YDV3YBV4YDV5YD
M @S1&1%0%0#
V3S8877
V4S8877
M *S101011$$10123234
V3@S676766$$67654543
V4@S676766$$67654543
M *S54#5455$$5455#65%4%3
V3@S232322$$23221234
V4@S232322$$23221234
M *S21#234321%01210-2-10
V3@S5654345676567987
V4@S5654345676567987
M *I1"$$$
V3@I6;*1;1;1;
V4@I6;*1;1;1;
V5_QA"A"
M *IAAA;9;88;$$
V2I888;5;3;5;8;A;
V3(@I6;*1;1;1;)1
V4(@I6;*1;1;1;)1
V5_QA"A"A"A"
M *ICCC;B;AA;$$
V2IAAA;9;8;8;A;C;
V3(@I6;*1;1;1;)1
V4(@I6;*1;1;1;)1
V5_QA"A"A"A"
M *HF;Q.E;ID;
V2HC;Q.C;
V5HA;Q.B;
V3(@I6;*1;1;1;)1
V4(@I6;*1;1;1;)1
M *IC;F;E;D;C;F;E;D;
V2QA,B,A,B,
V5Q8,9,8,9,
V3(@I6;*1;1;1;)1
V4(@I6;*1;1;1;)1
M *IC,$B,$A,$9,$
V2IA,$9,$8,$7,$
V5I8,$6,$5,$4,$
V3@6;+1;3;3;9;2;9;2;
V4@6;+1;3;3;9;2;9;2;
M *Q.8;SA987654321
V2Q.5;
V5Q.3;I$_QA"A"
V3@I(D;6;6;6;)1
V4@I(D;6;6;6;)1
M *Q.9;SBA98765432
V2Q.7;
V3@I(D;6;6;6;)1
V4@I(D;6;6;6;)1
V5_QA"A"A"A"
M *Q.A;SCBA9876543
V2Q.8;
V3@I(D;6;6;6;)1
V4@I(D;6;6;6;)1
V5_QA"A"A"A"
M *S67%89ABCDE%EEEE'
V3@ID;6;6;6;D;6;S6
V4@ID;6;6;6;D;6;S6
V5_QA"A"A"
P00
V1YB
M *S8BD
V3@S6;66;
V4@S6;66;
P09/ EINE KLEINE NACHTMUSIK
K1#V1YBV2YBV3YDV4YDV5YB
M *IF,F,F,F,A,A,B,TCBAB
V2I$$$$7,$6,
V3@IA,3,3,3,6,6,A,3,
V4@IA,3,3,3,6,6,A,3,
M *IE,E,D,D,CC,S$8BD
V2I8,$8,$AA,
V3@IB,4,A,3,S63456789
V4@IB,4,A,3,S63456789
M *IF,F,F,F,A,TBA9AIB,TCBAB
V2I$$$$7,$6,
V3@IA,3,3,3,6,+1,5,+2,
V4@IA,3,3,3,6,+1,5,+2,
M *IC,C,8,S9AIBB,S$8BD
V2I9,$7,$66,
V3@I7,0,6,+1,3S456789
V4@I7,0,6,+1,3S456789
M *IF,F,F,F,A,A,B,TCBAB
V2I$$$$7,$6,
V3@IA,3,3,3,6,6,A,3,
V4@IA,3,3,3,6,6,A,3,
M *IE,E,D,D,CC,S$8BD
V2I8,$8,$AA,
V3@IB,4,A,3,S63456789
V4@IB,4,A,3,S63456789
M *IF,F,F,F,A,TBA9AIB,TCBAB
V2I$$$$7,$6,
V3@IA,3,3,3,6,+1,5,+2,
V4@IA,3,3,3,6,+1,5,+2,
M *IC,C,8,S9AIBBSBCA8
V2I9,$7,$66S6
V3@I7,0,6,+1,3,3,3,3,
V4@I7,0,6,+1,3,3,3,3,
M *QDSD,ECAF,8,F,8,F,8,F,8,
V2QBSB,$$$D,$$$@3246
V3@IA,3,3,3,33,6,
V4@IA,3,3,3,33,6,
M *SF,8,F,8,F,8,F,8,F,D,D,D,D,B,B,B,
V2@S11111,024Q3
V3I3,$6,$Q3,6,
V4I3,$6,$Q3,6,
M *SB,8,8,8,8,6,6,6,8,6&,6,6,66,$$
V3@Q3,4%,8&,S8468
V4@Q3,4%,8&,S8468
P10/ OVERTURE FROM "THE MAGIC FLUTE"
K3&
V1YAV2YAV3YAV4YDV5YA
M *I9;9;9;9;9;9;SA989
V2H.4
V3@Q5"C"55
V4@Q5"C"$C"
M *ID;D;D;D;D;D;SEDC%D
V2H.A
V3@I55"6;7;8;9;A;B;
V4@I88"
M *IB;B;E;E;A;A;D;D;
V2H7;6;
V3@QC;5;D;6;
V4@QC;5;D;6;
M *IB;B;E;E;A;A;D;D;
V2H7;6;
V3@IC;C;5;5;D;D;6;6;
V4@IC;C;5;5;D;D;6;6;
M *QB;E;A;D;
V2Q7;7;6;6;
V5Q$B;$A;
V3@IC;C;C;C;D;D;D;D;
V4@IC;C;C;C;D;D;D;D;
M *Q9;C;8;D;
V2Q5;5;6;8;
V5Q$9;$C;
V3@IE;E;E;E;F;F;F;F;
V4@IE;E;E;E;F;F;F;F;
P11/ HORN CONCERTO IN E FLAT
V1YBV2YBV3YBV4YDV5YD
NQ=52
M *I9,2,2,2,2,2,1,3,6,6,5,3,
V2I4,
V3@ICC"$AA"$BB"$DD"$
V4@ICC"$AA"$BB"$DD"$
V5_Q.9"9"9"9"
M *I2,2,2,2,1,2,3,@1,1,11,1,
V2I$$$$$$+1,
V3@ICC"$EE"$FF"$FF"$
V4@ICC"$EE"$FF"$FF"$
V5_Q.9"9"9"9"
M *I2,2,2,2,2,2,1,3,6,6,5,3,
V2@I3,$$$$$1,
V3@I88"$AA"$BB"$DD"$
V4@ICC"$AA"$BB"$DD"$
V5_Q.9"9"9"9"
M *I4,6,2,3,2,3,2,@5,5,55,*6,
V2I$$$1,
V3@I88"$F,E,D,C,
V4@ICC"$F,E,D,C,
V5_Q.9"9"9"9"
M *I9,9,9,9,9,9,8,A,D,D,C,A,
V2I44"$66"$88"$AA"$
V3@ICC"$AA"$BB"$DD"$
V4@ICC"$AA"$BB"$DD"$
V5_Q.9"9"9"9"
M *I9,9,9,9,8,9,A,6,6,66,6,
V2I44"$5%5"$66"$11"$
V3@ICC"$EE"$FF"$FF"$
V4@ICC"$EE"$FF"$FF"$
V5_Q.9"9"9"9"
M *I9,9,9,9,9,9,8,A,D,D,C,A,
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V3@ICC"$AA"$BB"$DD"$
V4@ICC"$AA"$BB"$DD"$
V5_Q.9"9"9"9"
M *IB,D,9,A,9,A,
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V3@ICC"$88"$
V4@ICC"$88"$
V5_Q.9"9"
M *I9,2,2,222,9,2,2,222,
V2I$$$$$$4,
V3@ICC"$555"6&66"666"
V4@ICC"$555"6&66"666"
V5_Q.9"9"*I6,$$_Q.9"
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P12/ JUPITER SYMPHONY
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P14/ POLONAISE IN A
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P15/ ITALIAN SYMPHONY
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P16/ LIGHT CALVARY OVERTURE
V1YBV2YBV3YBV4U0YBV5YB
M *I55"2"22"2"22"2" / *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
 / *=*=*=*=*=*=*=*=*         HEY JUDE          *=*=*=*=*=*=*=*=*
 / *=*=*=*=*=*=*=*=*    BY JOHN LENNON AND     *=*=*=*=*=*=*=*=*
 / *=*=*=*=*=*=*=*=*      PAUL MCCARTNEY       *=*=*=*=*=*=*=*=*
 / *=*=*=*=*=*=*=*=*   ARR. FOR ORCHESTRA 85   *=*=*=*=*=*=*=*=*
 / *=*=*=*=*=*=*=*=*    BY: TRACE CURRY AND    *=*=*=*=*=*=*=*=*
 / *=*=*=*=*=*=*=*=*   JIM HORNBEEK 02/20/83   *=*=*=*=*=*=*=*=*
 / *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
 
 / THIS SONG IS DEDICATED
 / TO RICHARD DAVIES.  
 
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 / THE END OF HEY JUDE.  
 
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 /(COPYRIGHT 1984)
 /A FIVE-VOICE, ORCH 85/90
 /ARRANGEMENT BY
 /LARRY ALEXANDER,
 /TYLER, TEXAS.
 
 
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 / THE END OF HEY JUDE.  
 
ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ /THE LAMENT OF HEZEKIAH
 /HISKIA AGONIZZANTE E 
 /RISANATO (HEZEKIAH MORTALLY ILL AND THEN RESTORED)
 /(BIBLICAL SONATA #4) 
 /BY JOHANN KUHNAU (1660-1722) 
 /ARR. FOR ORCH-90 BY DAVID PLUMLEE, 71715,1463
 /SEPTEMBER 6, L988
 /MORE...
 /1. THE SADDENED HEART OF KING HEZEKIAH AT THE MESSAGE OF HIS
 /   DEATH AND THE LONGING PRAYER FOR HIS RECOVERY IN A LAMENT
 /   WITH THE VERSE, "HEAL ME, DEAREST MASTER."
 /2. HIS CONFIDENCE THAT GOD HAS HEARD HIS PRAYER AND THAT HE
 /   SURELY WILL RESTORE HIS HEALTH AND GIVE HIM PEACE FROM HIS 
 /   ENEMIES IN THE VERSE, OUT, ALL YE EVIL DOERS, FOR I HAVE
 /   BEEN RESTORED.
 /3. HIS JOY AT HIS RECOVERY IN THE COURSE OF WHICH HE AT TIMES
 /   THINKS OF HIS PREVIOUS MISERY BUT SOON FORGETS IT AGAIN.
 /
 /PUBLISHED IN LEIPZIG IN 1700.  THERE ARE SIX BIBLICAL 
 /SONATAS, EACH VERY EDIFYING AND QUITE POPULAR IN THE GERMAN 
 /MUSICAL WORLD IN THEIR TIME.  
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 /  "HIGHER   AND   HIGHER"
 /     MUSIC BY C.SMITH
 /  ARRANGED FOR ORCHESTRA-90
 /      IN FIVE VOICES
 /      BY  BUD HOLMES
 
 
 
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/ HE IS JEHOVAH
/ BY BETTY JEAN ROBINSON
/ COPYRIGHT 1982 BY JEHOVAH-JIREH PUBLISHING

/ TRANSCRIBED FOR ORCHESTRA-90 BY TOM ANDREWS


JAS84E82408F/ ENGLISH HORN
JBSA6884402F/ BALLAD HORN
JCS20286402F/ DULZIAN
JDS66600000F/ MELODIA
JES68C60202F/ CELLO
K1#Z3NQ=90>4V1YAV2YBV3YCV4YDV5YE

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&#%&#%   THE HILL STREET BLUES THEME   &#%&#%&#%&#%&#%&
 /%&#%&#%&#%&#%&#%&   MUSIC BY MIKE POST   #%&#%&#%&#%&#%&#%&#%
 /#%&#%&#%&#%&#%   ARRANGEMENT AND SOLOS BY   &#%&#%&#%&#%&#%&#
 /&#%&#%&#%&#%&#%&#%   ROBERT A. FOWKES   &#%&#%&#%&#%&#%&#%&#%
 /#%&#%&#%&#%&#%&#%&   FOR ORCHESTRA 90   #%&#%&#%&#%&#%&#%&#%&
 /%&#%&#%&#%&#%&#%&#%&#   (5 VOICES)   %&#%&#%&#%&#%&#%&#%&#%&#
 /&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&#%&
 
 
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/JASEEB80000FJBSDF9F0000E     /SLOW CLOCK
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V5_Q-A"I-A"-A-A"S-A"-A /:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::/
 /                 THE HILL STREET BLUES THEME                 /
 /                             BY                              /
 /                         MIKE  POST                          /
 /                       TRANSCRIBED BY                        /
 /                     MICHAEL M.  STROUD                      /
 /                      AUGUST 11,  1982                       /
 /::::::::::::::::::::: PIANO  85 AND 90 ::::::::::::::::::::::/
 
 
 
 
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 /
 /      T H E   H I L L   S T R E E T   B L U E S
 /               
 /                         TV SERIES
 /                         4  VOICES
 /BY ART
 /APRIL 12, 1982
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#%&#%   THE HILL STREET BLUES THEME   &#%&#%&#%&#%&#%&
 /%&#%&#%&#%&#%&#%&   MUSIC BY MIKE POST   #%&#%&#%&#%&#%&#%&#%
 /#%&#%&#%&#%&#%   ARRANGEMENT AND SOLOS BY   &#%&#%&#%&#%&#%&#
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 /JASEEB80000FJBSDF9F0000E     /SLOW CLOCK
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V5_Q-A"I-A"-A-A"S-A"- ///////////////////////////////////////////////////////////////
 /             VOM HIMMEL HOCH, DA KOMM' ICH HER               /
 /             FROM HEAVEN ABOVE TO EARTH I COME               /
 /                      BY  J. S. BACH                         /
 /                      TRANSCRIBED BY                         /
 /                     MICHAEL M. STROUD                       /
 /                       MAY 21, 1982                        #8/
 ///////////////////////////////////////////////////////////////
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V2@/**************************************************************
/*       Piano Sonata No. 2 - First Movement
/*
/*           Paul Hindemith (1895-1863)
/*
/**************************************************************


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ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ / FUNERAL MARCH OF A MARIONETTE
 / THEME FROM "ALFRED HITCHCOCK"
 / CHARLES GOUNOD
 / ARR. BY BRYAN EGGERS
 / FOR ORCHESTRA-90
 / 4 VOICES
 
 
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@V4D
V2ID
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