you fair warning before we belay, To me way, hey, blow the man down. Don't never take heed of what pretty girls say, Give me some time to blow the man down. time to blow the man down. So I give j&Rd:--------------------------------------------------------------------------&Yn:&x: INTERVIEW VIEWER by Nickolas Marentes&:&:--------------------------------------------------------------------------' 0,1: 11,18: 12,63: 13,52'% 80: 3,0:1'= "I",#1,"LEAR/TXT"'l 4,0: X1 4: #1,T$: T$::C4: 3,0' &HFFD8,1: #1,T$: &HFFD9,1:A$(T$,2)'ȅ A$"# " 4,0:((T$,(T$)2)): 3,0: 250'҅ A$"Q:" 5,0'܅ A$"A:" 3,0( T$(2 (T$,5)"1998." &HFFD8,1: #1:(ICC1: C23 190(i "" 260 : C0: 190' &HFFD8,1: #1,T$: &HFFD9,1:A$(T$,2)'ȅ A$"# " 4,0:((T$,(T$)2)): 3,0: 250'҅ A$"Q:" 5,0'܅ A$"A:" 3,0 BLOW THE MAN DOWN Traditional Sailors' Song Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- Chorus Oh blow the man down, bullies, blow the man down, To me way, hey, blow the man down. Oh, blow the man down, bullies, blow him away, Give me some time to blow the man down. As I was a-walking down Paradise Street, To me way, hey, blow the man down. A pretty young damsel I chanced for to meet, Give me some time to blow the man down. Chorus Oh blow the man down, bullies, blow the man down, To me way, hey, blow the man down. Oh, blow the man down, bullies, blow him away, Give me some time to blow the man down. She was round in the counter and bluff in the bow, To me way, hey, blow the man down. So I took in all sail and cried, "Way enough now!" Give me some time to blow the man down. Chorus Oh blow the man down, bullies, blow the man down, To me way, hey, blow the man down. Oh, blow the man down, bullies, blow him away, Give me some time to blow the man down. I hailed her in English, she answered me clear, To me way, hey, blow the man down. "I'm from the Black Arrow bound to the Shakespeare." Give me some time to blow the man down. Chorus Oh blow the man down, bullies, blow the man down, To me way, hey, blow the man down. Oh, blow the man down, bullies, blow him away, Give me some time to blow the man down. So I tailed her my flipper and took her in tow, To me way, hey, blow the man down. And yardarm to yardarm away we did go, Give me some time to blow the man down. Chorus Oh blow the man down, bullies, blow the man down, To me way, hey, blow the man down. Oh, blow the man down, bullies, blow him away, Give me some time to blow the man down. And as we were going she said unto me, To me way, hey, blow the man down. "There's a spanking full-rigger just ready for sea." Give me some time to blow the man down. Chorus Oh blow the man down, bullies, blow the man down, To me way, hey, blow the man down. Oh, blow the man down, bullies, blow him away, Give me some time to blow the man down. That spanking full-rigger for New York was bound, To me way, hey, blow the man down. She was very well manned and very well found, Give me some time to blow the man down. Chorus Oh blow the man down, bullies, blow the man down, To me way, hey, blow the man down. Oh, blow the man down, bullies, blow him away, Give me some time to blow the man down. But as soon as that packet was clear of the bar, To me way, hey, blow the man down. The mate knocked me down with the end of a spar, Give me some time to blow the man down. Chorus Oh blow the man down, bullies, blow the man down, To me way, hey, blow the man down. Oh, blow the man down, bullies, blow him away, Give me some time to blow the man down. And as soon as that packet was out on the sea, To me way, hey, blow the man down. 'Twas dev'lish hard treatment of every degree, Give me some time to blow the man down. Chorus Oh blow the man down, bullies, blow the man down, To me way, hey, blow the man down. Oh, blow the man down, bullies, blow him away, Give me some time to blow the man down. So I give COLORADO TRAIL Western Song Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- Eyes like the morning star, cheeks like a rose. Laura was a pretty girl, God Almighty knows. Weep, all ye little rains, Wail, winds, wail. All along, along, along the Colorado trail. Stars fading up above, lark starts to sing, Sky is rosy in the east, what will this day bring? Weep, all ye little rains, Wail, winds, wail. All along, along, along the Colorado trail. Eyes like a prairie flow'r, laughing all the day, Laura was a lovely girl; now she's gone away. Weep, all ye little rains, Wail, winds, wail. All along, along, along the Colorado trail. THE GALWAY PIPER Irish Folksong Irish Folksong Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- Ev'ry person in the nation, Or of great or humble station, Holds in highest estimation Piping Tim of Galway! Loudly he can play or low; He can move you fast or slow; Touch your heart or stir your toe, Piping Tim of Galway! When the wedding bells are ringing, His the breath to lead the singing, Then in jigs the folks go swinging, What a splendid piper! He will blow from eve to morn, Counting sleep a thing of scorn, Old is he but not outworn, Know you such a piper? When he walks the highway pealing, Round his head the birds come wheeling, Tim has carols worth the stealing, Piping Tim of Galway! Thrush and linnet, finch and lark, To each other twitter, "Hark!" Soon they sing from light to dark Pipings learnt in Galway! Piping Tim of Galway! Thrush and linnet, finch and lark, To each other twitter, "Hark!" M  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9LëLƩLɩL̷ 1& ' Ǧ 9u&O9 000 :":0(::">( @:"@:0(@:@:"@:( >6>6,&@6@6>6& :":0(::"@:( H@"H@0(H@H@"@:( D>D>,&D>D>>6& :2>6("@:@:D2" H8 H8,&@:@:D> H@"H@0(@:@:"@:( D>D>,&>6>6>6& @:@:(">6>6:2" 0,0,& 0, 0,0, :"@:0(>>":( 0( 0("0,0,0, :":0(::&6, :0(":0("ND>>6& :2>6("@:@:D2" H8 H8,&@:@:D> HM  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9LëLƩLɩL̷ 1& ' Ǧ 9u&O9 6 >, 6 >, 6 >,@>:,6, 4" :,( 4 :,( 4" :,(>:6,(4,( 6 >, 6 >, 6 >, D D,@">":,(6,(46:,(>,( 6 6& 6 N>,LDH@ D> @: >6 @: D> , N>,LDH@ D> @: >6 @0 :4 :4, N>,LDH@ D> @: >6, @:,@D8&@0 >0 :0 60 4,(60(:4(>,( 6,& 6,& 6,& N>":,(6,(46:,(>,( 6 6& 6 N>,LDH@ D WHAT SHALL WE DO WITH THE DRUNKEN SAILOR? Traditional Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- What shall we do with the drunken sailor? What shall we do with the drunken sailor? What shall we do with the drunken sailor? Earlye in the morning. Chorus Hooray, up she rises, Hooray, up she rises, Hooray, up she rises, Earlye in the morning. Put him in the scuppers with a hose pipe on him, Put him in the scuppers with a hose pipe on him, Put him in the scuppers with a hose pipe on him, Earlye in the morning. Chorus Hooray, up she rises, Hooray, up she rises, Hooray, up she rises, Earlye in the morning. Keel-haul him until he's sober, Keel-haul him until he's sober, Keel-haul him until he's sober, Earlye in the morning. Chorus Hooray, up she rises, Hooray, up she rises, Hooray, up she rises, Earlye in the morning. Heave him by the leg in a running bowline, Heave him by the leg in a running bowline, Heave him by the leg in a running bowline, Earlye in the morning. Chorus Hooray, up she rises, Hooray, up she rises, Hooray, up she rises, Earlye in the morning. Shave his belly with a rusty razor, Shave his belly with a rusty razor, Shave his belly with a rusty razor, Earlye in the morning. Chorus Hooray, up she rises, Hooray, up she rises, Hooray, up she rises, Earlye in the morning. That's what we'll do with the drunken sailor, That's what we'll do with the drunken sailor, That's what we'll do with the drunken sailor, Earlye in the morning. Chorus Hooray, up she rises, Hooray, up she rises, Hooray, up she rises, Earlye in the morning. in the morning. Chorus WALTZING MATILDA Australian Folk Song Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- Once a jolly swagman camped by a billabong Under the shade of a coolibah tree, And he sang as he watched and waited till his billy boiled, "You'll come a-waltzing Matilda with me!" Waltzing Matilda, Waltzing Matilda, You'll come a-waltzing Matilda with me. And he sang as he watched and waited till his billy boiled, "You'll come a-waltzing Matilda with me!" Down came a jumbuck to drink at the billabong, Up jumped the swagman and grabbed him with glee, And he sang as he stowed that jumbuck in his tucker bag, "You'll come a-waltzing Matilda with me!" Waltzing Matilda, Waltzing Matilda, You'll come a-waltzing Matilda with me. And he sang as he stowed that jumbuck in his tucker bag, "You'll come a-waltzing Matilda with me!" Up rode the squatter, mounted on his thoroughbred, Down came the troopers, one, two, three, "Where's that jolly jumbuck you've got in your tucker bag?" "You'll come a-waltzing Matilda with me!" Waltzing Matilda, Waltzing Matilda, You'll come a-waltzing Matilda with me. "Where's that jolly jumbuck you've got in your tucker bag?" "You'll come a-waltzing Matilda with me!" Up jumped the swagman, sprang into the billabong, "You'll never catch me alive," said he, And his ghost may be heard as you pass by that billabong, "You'll come a-waltzing Matilda with me!" Waltzing Matilda, Waltzing Matilda, You'll come a-waltzing Matilda with me. And his ghost may be heard as you pass by that billabong, "You'll come a-waltzing Matilda with me!" tilda with me!" Waltzing Matilda, Waltzing Matilda, You' THE BOSTON COME-ALL-YE American Forecastle Shanty-Tune "Blow the Wind Southerly"-Arr. by Norman Luboff Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- Come all ye young sailor men, listen to me, I'll sing you a song of the fish of the sea. REFRAIN Then blow ye winds westerly, westerly blow, We're bound to the south-ard, so steady she goes. Oh, first come the whale, the biggest of all. He climbed up aloft and let ev'ry sail fall. REFRAIN Then blow ye winds westerly, westerly blow, We're bound to the south-ard, so steady she goes. Next come the smelt, the smallest of all. He jumped to the poop and sung out, "Tops'l haul." REFRAIN Then blow ye winds westerly, westerly blow, We're bound to the south-ard, so steady she goes. The herring come, sayin', "I'm king of the seas. If you want any wind, why I'll blow you a breeze." REFRAIN Then blow ye winds westerly, westerly blow, We're bound to the south-ard, so steady she goes. And last come the flounder, as flat as the ground. He says, "Blast your eyes, chuckle-head, mind how you sound." REFRAIN Then blow ye winds westerly, westerly blow, We're bound to the south-ard, so steady she goes. He says, "Blast your eyes, chuckle-head, mind how you sound." REFRAIN Then blow ye winds westerly, westerly blow, UM  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9LëLƩLɩL̷ 1& ' Ǧ 9u&O9 6 @@60D60 @60 : 60( 60( H@ J@ NH@H@6@60 @60 @60 ::2(>2( :2( 6 60( 60( D H>6 D>2 @60 @60( 6 H@6(H@6(D62( @60( 60 0( 60 : 2(" :2(60 0(0( 60 @:@:2D>2 @:2:66060 60(:2@:2@:2"@:2" >2 @60 @60NNH@H@6@60 @60 @60 ::2(>2( :2( 6 60( 60( D H>6 D>2 @60 @60( 6 H@6(H@6(D62( @60( 60 0( 60 : 2(" :2(60 0(0( 6M  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9LëLƩLɩL̷ 1& ' Ǧ 9u&O9 @ @ @ @.( @.( @.( < <.$8 8 < @.( @.( 82*2*6* 82* . 8.( 8.( @8.( FF.( F.( F.( F.$F.$F.$ F.& F.*$88< @ @.( @.( @.( < <.*$8 8 < @.( @.( 8.( 2*2*6* 82* . 8.( 8.( @.( FB.("B.("@.(" <$ <.*<.*<.* 8.( F F.( F.( F.(  F @.( P*P2* P2* P2* N6* J2* F F.( F.( F.( J2* F.( F.( F.( FB.*B.$@.$ <.*88< @ @.( @.( @.( < <.*$8 8 < @.( @.( 8.( 2*2*6* 82* . 8.( 8.( @.( FB.("B.("@.(" <$ <.*<.*<.* 8.( NF.( F.( J2* F.DXD"Q100"[ DE()( !GDP02 "0DDP hDgXO  +D" "oF((Hj#@7,(08H)@ &*0DH"@ D`jDEC2,D"'Dc $"0(0DRDA(@:@( 0040DnHV(`tDr(ǀEhB5H DD("EjB@u""0! HR(("c  D$05j )/0DD Fl2 "0$ @2DH"(D`"@"P@ (8@(2@ ( P0<$ x`0D|(@1D  DA%&D"4@\2"0(;0(h@00DNB@``D@P0D@xD"':"@$!( 0(` B 9 0 1*00DDGDH D` ڪD|$DFD@$D" " " p(,H(6,(07<0p0(+8("(((uwR"so !?X+8ހx3rڻU>y9:u)4dT @ I΋xK`φ`pp;5`8=;09u3̰6`mlu 滁%8S ʌ'V;θ̀X }@`pN`a 2~p*|Zt`H@o} @pc  ?x;`wp`}}`p~p?p`?{??8`8` `???=<>7??????8|lgDL3@!`3`@ό@ `@ ` @ @ @ @ @`@`@@@@=@06`=@=`0&@9@{@ @@``@`@@A@@aAaA~@C~G~Go~Owvn]>_7xy7vqp0a7c@C?~{A O{k<|`p<p@@@@@ـ`ݜ@݌` @ݜ@@@@@`@`@N@o@kH@C@o`o<@c`@o@@oXppppp?3(5%+8  N0nLRk<|`p<p@@@@ @D@0$[@@4P`pH (\ d( H\ @&0U @03R(j<P`NU$€2` @ 00@x *P)@" : *Zpc1wp8c1@  @zGpl@`GpaHp )@B *jD(pP 4*0rDDUTQ(`\$Op(`x0 \(V8j`(S;`0<  $HH8 DJDQE9p 8 @D  "*>6۸s;;0||>`w8'~9߿?f>9?_1Ϙg8+`1(pg0884JA%R?p?80l0߿p0| p=p`00πǀ960|mcÀÞÎ<a0<<0<|0f>f|?>808p<8<>8;Ǹ x x?߀?1`ð>y8f`px>`|nc7`gaqm3o3sps`0ogfo~88npp088<ÀπÃ?=^oc|v`v>>6>9>?>?:?sۀ@`,x,8 ?38-$+ F*0f*KdP)`,x,8 Rh`h`h`h`h`pph`p`h`p`h pp`hƀpp``pp`l   `l `l `l `o` I `l `І ` @ I`` @ @@p``@@@  @ MАp` @`h @pp@Ip`p@p@p```p```h ``h `                 ( ( H((   (     𠨠 ( ( ( h   * (   *   ( ` ` o( ` ` (`   `o ``  ``l `o    `l  `l    `l   `o`l   ``o`   `  `     ` `` (``( `o  o   `  ` `  ` ( (` ‚`(  ```     ``` / ``     `  ( ` `(   (`  (*    2124$}}?4:2#}tTdT5E0COMENTРx*) $4  T@K K@HTH(`( @$ p0 9悀P0 S0}  @T vlC+F(5P,ǁt۵PBP,<) 1@gy  km_ 9n@P @!(idk_.\,k?Ĉ\@5ϳ ߰L cն,80 Pf^@ 0 xaP3`0` F$@"DB3D0 EJ#B<x 08DHJ!0pD T($ 8P0q8M"I``h (1 B0@`2b$I@DtjPY$`@ H@@(`<$P` \   (Pp$`@BP 0 01@p0(,ب(A()8 @00D^DDD$`ڪD)D"#煷"*">(( 06Q030D DFD0jDfDND@rDED" " " "谐(2$1(X(0(0`a0200DH``DkhHD ` DX :DFI$4D"0"BA"0(((h1(@`0h(!`)! (00DK@ @1 D@@(M  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟97LëLƩLɩL̷ 1& ' Ǧ 9u&O9 D,ND<,D,D,ND<,D,D,ND<6<$ND<,@(N@:(@(@(J@:(@(@(J:2:"J@:(D,ND<,D,D,ND<,D,D,NHD<J2ND<6J2JD@:@(J@:"D<6D<6D<6D<6D,ND<,D,D,ND<,D,D,ND<6<$ND<,@(N@:(@(@(J@:(@(@(J:2:"J@:(D,ND<,D,D,ND<,D,D,NHD<J2ND<6J2JD@:@(J@:"D<6D<6D<6D<6 NJD@:@(J@:"D<6D<6D<6D<6D,ND<,D,D,ND<,D,D,ND<6<$ND<,@(N@:(@(@(J@:(@(@(J:2:"J@:(D,ND<,D,D,ND<,D,D,NHD<J2ND<6J2JD@:@(J@:"D<6D<6L P)#A#A#A#A#A#A#A#A#A#A#A#A##@A# @ A A 40A0@0@ @0 0#    @@0 0@0 40@4 0A4444444444440 p p p    p ppp   p          p p p  Pp σe xp ?  ppܰ p0   ܸ  p`Ce 6T0 6 p p                        @     vFvg/TdT5E24T@ C"A"B"!3"AUB B!fwUww wU.]Ļ*  < .@5  x 0  0 .wwwĻ ""PU*"UBH *Rw  §wppp 0/pqA v  rڀ`!p!@# @( @P  @P PT@V;!@0p@ P` ( @P @)@PhX@P`+HD8 D E8( "@Cp`(DBPH@&$(a@d(XP0@@"D `0a`,@!@( Pp@(^@(P! @(& P0$ PB$ 0 @  dh8@p@ @:@@1@`)(P,(H 9Bl@@!@'H@QZ@P-*:P8$*@@(JP`B ,p(>8P~@Cp(p`pŰ$p8퀐  -p46,Q@If28  @(P@PA`$ (@ 4 2@mȀlp! (@K@8 @"#@H0adP (@X@0@@@ \!8@PD !TP@ EM  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9LëLƩLɩL̷ 1& ' Ǧ 9u&O9 :@:" @:" D:" H6(H6(J6(H6(D>D>>66,6,:(>&@0" @0" :0" :0:060:0>>6&00:@:" @:" D&H6(H6(J6(H6(D6,D6,>6,6060:0>0@0" @0" >0" :" 8,8,4,8,:( :(:( :" N@6N@6N@6N@6N@6L@6H@6(D6D6&>6,6060&:0&>,@" @( :0 ::6:">>6&00&N@6N@6N@6N@6N@6L@6H@6(D6D6&>6,6060&:0&>@0" @0" >0" : 8,8,4,8,:(" :( :( :0( NN@6L@6H@6(D6D6&>6,6060&:0&>,@" @( :0 ::6:">>6&00&N@6N@6N@6N@6N@6L@6H@6(D6D6&>6,6060&:0at started a long mutual relationship. Q: Did they ask you to develop a certain type of game or did they take anything that you chose to write? A: Baseball was my idea. At that time baseball was kind of being held up as a video game benchmark... it was Intellivision's selling point over Atari. Radio Shack had yet to have any success in programming a playable baseball game, but I was convinced the CoCo could do a better job than either - I was right. Most of the other projects were mutual. I did TSEdit for myself, to have a usable text editor with which to develop. Tandy was interested, and bought the rights. Later they asked me to expand it with the spell checker, and the repackaging into Color Scripsit II. D.L.Logo was also something they particularly requested. Q: Did Radio Shack give you a prototype CoCo3 to work on? A: I received a very early prototype... perhaps one of about 5 or so. It was pretty much like the production unit. Q: Can you tell us any interesting "stories" of M  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9ɦLëLƩLɩL̷ 1& ' Ǧ 9u&O9 @J:J:J:2(J:2(@:"@:"@:2(@:2(:2:2<62(<62( @:"@:2(@:2( D<$D<2,D<2, H<( H<60 J@:2 222 J: J:2( @:" @:2( :2 <2 @2" @2 D2 D2$D2$H6H6H6($H6($J@:2J@:2 222 6 6,& ND>ND> JD6 H@6 @6 @6 @6 @60@60(@60( @0D>H<@J@: J@: 2 2N@:2( :2 <2 @ market for Color Computer software. Q: What are some of your favourite CoCo products of all time? A: The most elegant product was probably OS9. It was simple, yet so well matched to the machines hardware that it had to be what the 6809 architects had in mind. For my money, it was ten times the OS that DOS was at the time. Beyond that, I had a lot of fun with Temple of ROM, Sands of Egypt, and even my first creation: DoubleBack - a game written in only 4K, but very "playable" and fun, if I do say so. Q: What is your opinion on Software Piracy? A: It takes a lot of diligence to create and package commercial software. The people who put the blood sweat and tears into it should certainly be paid. There is always freeware available from the hobbyists. If you want something more professional, you should pay the professional. Q: What is your opinion of the CoCo2 and CoCo3 hardware platform? A: Screenshot of Baseball They were logical progressions, and of course since my career was at the CoCo, I was more than happy to see the continuing support from Tandy to improve the product. I remember wowing everyone in an on-line chat session the day the CoCo3 was released. I had had one for a while, being a developer for Tandy, and had prepare&- - SONGBOOK BY DAVE OTIS - REV 9/24/97&c65497,0:55455,65::FAST POKE AND DR 2 BACK OF 0& 57415,2 :sets border color&150,18:: Sets Baud to 4800 (with Fast Poke).& 3700& MX109& DR$"0":DR(DR$): DR& 300'  3600'+ NA$(60): FT$(60): PG$(MX)'I2,13:80:20:63:100'3:3,2: (79,"*"): (27," ");"S O N G B O O K": (32," ");"by Dave Otis"'< (79,"*"):'?3,7,B: (31," ");"TURN OFF PRINTER!":3,2(F0,5: 31);"READING DIRECTORY";: X1 15:::(9d65496,0: 0,0,1,A$,A$(Oe DR,17,2,FA$,FB$(^x S3 11(r DR,17,S,A$,B$(FR(DR)(65497,0(A$A$(B$,127)( P1 255 32(NAME$(A$,P,8)) NAME$"SONGBOOK" NAME$"PLAYER " NAME$"M " 220)%EXT$(A$,P8,3))= EXT$"BIN" 220)o EXT$" " EXT$"."EXT$:NAME$NAME$EXT$) (NAME$,1)(255) 240) (NAME$,1)(0) 220):)NA$(QQ)NA$:QQQQ1)܋ P) S)QQQQ1):QQ=QQ-1'#FILES*:DIRECTORY SCREEN*280*<0,4: 35);"M E N U"::*wCM$(8)(9)(10)(94)"QREDP" :COMMAND STRING*"CO0:RO6:F0 :COLUMN,ROW,FILE*,65497,0:20:275:A$: I0 QQ 4+ 6" "NA$(I);" ";7);NA$(I1);" ";7);NA$(I2);" ";7);NA$(I3)+@+(T0,19: (80,"-")+t^0,20:"Options: Arrows and Drive End Play Quit Read - Drive ";DR+| 65344,0+ KT338 345: KT,255::A$: CO,RO:0,7:" ";:3,2: A$""390+ CO,RO:0,7: A$;:3,2,* (1,CM$,A$)1 390,430,440,470,520,1620,1630,1750,1800,970,4390,E:LEFT ARROW,c CO,RO:" ";: F0 390, CO0 COCO60:FF1:RORO1:390,COCO20:FF1,390,:RIGHT ARROW, FQQ F0:CO0:RO6:390- CO,RO:" ";:COCO20:FF1: CO60 CO0:RORO1-390-&:-7:DOWN ARROW-Xօ FQQ F0:RO6:CO0:390-x CO,RO:" ";:RORO1:FF4- FQQ FF1:COCO20- CO0 CO60:RORO1- FQQ 482- RO18 RO6:F0:CO0-ꁥ390-:-:UP ARROW. CO,RO:" ";: RO6 390.-RORO1:FF4.7&390.>0:.jX3960:0,0:3910: PG$(1)"" 3930.b0,4: X1 5: PG$(X)::3930.: RUN BASIC OR EXEC ML. 25,22:"PLAY "NA$(F);/ ԅ (NA$(F),3)"BIN" 65496,0:M ""NA$(F):&HFF40,0::3800/<"WRONG FILE TYPE...HIT A KEY": 44539:300/C:/|T:65496,0:113,0:40999: QUIT COMMAND - COLD START/^ I0 QQ:NA$(I)""::QQ0:70:100/:EXIT PROGRAM (STILL IN MEMORY)/֒65496,0:0 25,22:"CURRENT DRIVE ";DR;: DR$:DR(DR$): DR:16300+:ERROR TRAP010 26 (10," ");"No Text File Exists, but to Play the Music, Press .": X1 200::PG$(1)" ":300030,12:"ERROR #""IN LINE "03000t 6000,&H7EF4: 101 FS$(NA$(F),8)".TXT"165496,01=45,22:"LOADING "FS$:"I",#1,FS$1EI11[ (1)1 38501l #1,PG$(I)1~ IMX 38501II1:38251 #1:II1:VI:&HFF40,0:65497,0:3960:0,0:391010,4: X1 5: PG$(X)::2 0,9: X7 18: PG$(X):3890:26:0,9: X20 31: PG$(X):3890:2_:0,9: X33 44: PG$(X):3890:2#:0,9: X46 57: PG$(X):3890:2%:0,9: X59 70: PG$(X):3890:2&:0,9: X72 83: PG$(X):3890:3':0,9: X85 96: PG$(X):3890:3-(:0,9: X98 109: PG$(X):3890:3B2 XV :39203H73F "SONG * ";"The organist will play the song once before the first verse appears.": "BOOK * ";"To end song, hold just before end of a verse to go to Menu."4K (79,"*"):4GP:25,10:"Thanks for singing along!": X1 1000::3004`ZX$: X$"" 39304y_ X$"E" 65496,0:4d X$"M" : X1 V:PG$(X)""::20:3004i X$(03) 20:39304n X$"P" 38554s39305x0,0: X1 23::::4GP:25,10:"Thanks for singing along!": X1 1000::3004`ZX$: X$"" 39304y_ X$"E" 65496,0:4d X$"M" : X1 V:PG$(X)""::20:3004i X$(03) 20:39304n X$"P" 38554s39305x0,0: X1 23:nshot of Fire Copter There are two levels to this question. My favorite computer to use to get work done is probably still the Mac. I have done programming for several computers, mostly UNIX boxes, lately... but I started early. Even back to the days of a processor no-one will probably remember.... the Intel 4004 (predecessor to 8008, predecessor to 8080, predecessor to today's Pentium). It was a lot of fun to work at such a low level... but the answer still has to be the one your hoping for.... the C)Lf"J$q#3<)`\P)L030 BXmA Hp3<(aKeH P(@33 Cp  @H33 U`$ Hs UX8L Ո3 `" KUX<L  "KU3 BPeZ 4p@`%(`]0, `5)"0 $6@`M(q( 5N` 00,5 (Ia` @@`P  B@A(qP  `AERU ` 0"E2U `0`3@ 0A"E¨U0fP* 0ADBU`p 0DBB` P  B`AEZ0 @*HBDE2Y`HERY€@`–Z(@ 0(c @c``ff)A)$ `T** D(L*)d `D @ PAL*%`D(B0@*](@ @! ]D "@P@-4M (@`L,2L,(0( T,*eJP\20` @)JHh.@`$ p0p0PI  i0F!0 \@0 ( D@E!PPR!`P`  ـ{ g``c4 #<;{ s{ǿ}&#R@(|!0 < @ `P@ €@dn+O+-K=) 9r (bS($95_׎)pP'R=0=o} oX0=8<08Om x <0k @  ($\ '?!k1+:`?0@lxri:՞WK˖mU 3MWIq^CwMd`Y x AD !C䇇H2"\H"1&0ODŀL@xxx!78>po_?w?{{?w????3C}}9y}ߟoހo߀πO~g{vv{v~~ ~=?=?l3\||=|>>.:?> ~ ~~moo `<`|`|`p``{``` `8_?6$48"92?$Re0reVL\`<`|`|`p``{``` `8_?6$48"92?$Re0reVL\ \_\___\_________\____\______________]]]]]_______]_______ ________ _______ _______ _______ _____________]__ܿ__ __]__ܿ___]__ܿ___޿_]____ _____ ________________?_____;;?___P;?___P;_O__P_O___P_O__P__@O__P```OOOO@````````````````EFECTS*94T@ H@@_ H @P ĠjJZ`V0`f @pz)j"*P "P @DHꬪʪT@0  PPK rP!\ 0I0P=P j"4 S`Q0*[j0. ``P0F J00`l020<0`S*050`BV"! 00`` ``T@ s+) `!(@$@2 2j j3`JCHѸ3`<` `x Xs:*a*`:ʚ(0 2`(l`j̪ʪ7j` 䪠C(f >D4@*",*@< H"`%k+J jf*jĀa0.2@* !"*E⪯2("(D j* @L*003s3: (3(/jzLU*38j> D4r:J,V@ /r =S@*h=! 39348( 3xst 8j( @@6hS8*h *ڂ `/:0 8 WlZz檱3FHLؖ`(I4@ q"jʪ"D`d˥@b`PWnLJHB ƫ0ne0#P5 `xn= +*ꪳC7c`< P`- adʪ0J@H0 lH``ZP pb@`0a PBKꪤJ@BP `0,Z **kQ@ fD0` P]NP0ʪ*ĂVcH`)m֫;V(*"HJ!6H ҃* f B * `L00@+*Ҫj0H.(<D `bLتJ@:̪D> ϲz Y<`_oJM ƪAxL͊60Ϊ2*Lɯ*V ̆J"즪X FT5Hj Sz Pj0W(`LP)8$ @ꪤ`AP0?ꂤ$0+*)* 0k |TëA b ΦR+p ΀AfP+0*LʪJ=@04pV`$`@lʪ֪(0`@RL̐ ``*2*$5`#  0ꪫ*@@(, `f*PF(f D  &"4 ƪj0.`$ l!  3@ `3fDj 3̪ꪬ`@`P4\ ` jF*3**0@D  0bP((@F *`l**E) b#@*B*d.H`, fbFB(R:+ PRDI @- 0j $*!8 ˜@P%`H @f5fZ!)(uf` !  :% ` @H"<1  `3Pb)`H, a &`(@2H`X@$Md@* $*0rP P `"~P B*U 3<93`NrH z( A+a耐 0 `Ġ@ 0@ $@ 0a@ 0 `0 `P(`(@(` @`0 (``( 0(H  PP`$T@ aPT fPMQ`(0TU@0( jH U (;UX!C 0bUT0 F@0 UZ0 (@O`.P  310  `_`  `O~`0  MKl{PP N@;0 `  l@ Arň< A;D| D0  P1a `@"g(@0P`05&P$A2x(}(`@` a<(2P@$  0` À5 0@Ā ` 0 `0(@ €   $<00Y@8 <@ ( 0}\``  @>P@ €3p P ` `D; 0` 0 F` 0@@30`0@` P0(P 2`` B8(A`PyPP(q @ A0RdD@  @1QC@"@ ( :@ @ j/ @ `1 0Uf0(@ h 4pr @@IBx@ (H@  @@ $(  @ 9 @ DG2@0@@0, H4 D @@@ p`Dp@s    C "1    1@ P`02`  IBEP 10 f6aX 0`.<ǀ0P `%;IZNvc11 66lAaJ!$"H  P:`qs9x9 xN.[|@>^\?cp0ah?>??8 |0_! Ǎ`ƃ\ˠ~?8o|`8R%5 ~l`007`00=`cc| | 1a0<cax?c0;1yg7~}g`0`1=a0{a  pfcywag80?ߘ1|| <` spa 0?|~ f00(00cc lo }px`7010 <}|p?c>g?l~op 3013ߟo  ?`p0s|19|plp<7`?oǀx;6 ?oxxc ?f~ǘ?|pP~<=8p<?S?y@(<<ppp8y@wp<8@ |`P0?69&5;<8???H0hPzUy@wp<8@ P\'0 ٽB@@;Z$  TӾVս5R׾Tӽ5NӾPս55a5}L'59/&95 ;%K990123>0123=>0$\ 405"9$\ ݝ9"SCREEN /NIB" !5%9o 1?@% o1?0 0@%9' &䆀1! ܎1?@$09o1?0 ~5@ˌ%9'5Öͧ٦'5Ö̪ &ֆ1! 'XXXX  TTTT 9@@%9  U                        0   ` `0000  `00`      0  @E  `:@  P    0P @7 0pWp0Pt :0P0@s  p?  P0@P_    00@0@0  007  00   0 00 000 Ā0;   H08       @`Ā0`0@`* H0; & ` @B 0P𠐰 @@0P`P𠰹 @ F0`P& 0!@ 0d 0@& @`@d `;P&@0`@dbP;07@&L  S&@  0P&@0@Sl P0 04L ' @S @E @@B# 0@NP0R 6S @ &@CvS  t7d0p p@ ppY   ppPppPp  P`p@ @p`pPE _ p`p{E E@E QPp PT P@p Pp^Ppp@p@p@p@p@p@p40P @0H (Px`0P (@@ (P @@0`   P@ ((@P@ (( `  ` P0` 0(@0 `@( ` (  ( 0( ` @P <`P  @0 0<@x@P@x @@ 0 @ (P ` <00P`@ ((P (`0`<` 0@<@ `@   ` 00$ H`$@X(0H B(@  !@@@ ( P0@`  @` P`0`+P P`00f0 P@P`P€ `h`P P`0 P 0  0 `@ X(@( 0 C`@0 (  MJl((  0*G` 0 < #Vx<zaO0x0v`(@0 @0@ 35H (PmH 0P @ 4S0[`I$A P  @ 0` T```H@0`P@ 0(54`( (`t$}@0 ` e C@ (0RG"0( `x  `fa@0x 09 yŕXYZYZYZYZYZYQXYXXXYZYXYZYZYZYZYZYQXYXYXYZZYYXYXYXYXYZYYZYY_QXXYXXZYYZYYYXXYXYZZYZYYZY_Y_XYXYXYXYZY_Y_YXYXXXYZYYY_YQXYXXYXYXZYZYZ_YQXZXZXXYXXXYYYYY_Y_YXXYXYXYXXZYYYZY_YXXXYXYZYZZZYZ_Y_QXZXYZYZXYXYXYXYZZZYZY_Y_YXZXYXYXYXYXXYZZYZZYY_Y_XXXYZYXYXYXXYXYZYZYZYZY_Y_XZXYXYXYXYXYXYZYZYZYZYXZZXZXXYXYXYZZZXZXYXZXXYYXXYXYZYZYZYQZXYXYXYXZXYYYXYZYYZYZZY_YXYZYZXYXYZZY_Y_YQXZXYXYZXYYXYXXYXYXYYZYYZY_Y_QXZXXYYXXYYZYYZZYZY_Y_YXXYYXZYZYZYY_YQXYXYXYXXXYZYZY_YQXZXXYXYXYXXXYZYZYZZYZXXYXYXXXYZYZYZZY_YQXZXYZXYYXYXYXYXXYXYZYZZYZYZYXY_YXYXYXYXXXYXYZYZYZYZYQXZXZXYXXYXYYYZZYZZYZXYXYXY_QXZXZXYXXZXYXXYXXYYZZYZYXZXZYXXXYXYXYZZYZYXYXYXYXYXYXZYZZYXYXXZXXXYXYXXXXYZYYZZYZXZXXXYXYZYZYZYZYZZYZYYX_XYYXXYXYXYYZZZYZYXYXYYYXZYZYYXY_YQXZXXXYZYXXYZYZYZZYZZX_XZXYXXYXXZZYYZYZYZXYXZXZXYXYXXYXYYZYZYZYZYZY_Y_QXZXYXXYXYXYZYXYXYXXZXYXXXYZZYZYZZXYXYYYZYXXYXY_XYZXYYXYXYXZYZYYZYXYXYYXYZYZYYXYYXYQXZXZXYXXYYXYYXYXYXYXXYZYZYYZYZYZYZXXYX_XZXYYYXYXYX YXZYZZYXY_XXZXYXY YZYZYZXXYXXYX ZZXZYYYXYYXY YZXYXYXQXZ:8 YXYX_X_XQXZXYXXY? ZYXXYXXZXZXYXYYPZ?8 YXX_YX_XQXZXYXYXYZ:󠕚YZYXYX_XYX_XQXYXYXZ?PYZYZXY_YXYXYX:9ZYZXXXQYXYXXYZXXXY_XYXZYXZZYYZXXYQYYXZYXYZYP98 YYZYXXQYXYY󀕥XXXQZYZYZYXYXXZYZXYXY9ZYXXXYQZYZYXYXYZYZZYXYXY5 YZYXX_XQZYXYXZZYXYYYXS YZXXY_YXZYZY9?H YZXYXXYXZX:?O@YXXYXZXYZZYX4XYXX_YXZYZXZ4  pyYZYXYXYX_X_ZYZYXY:?JCJ ypXYYZXXYZYXYXY pppyYZXXXYYXYXYZYYYX9:9𕥉XYXYXYXYZZXYY9OCJZuXYXYXXYQYYZYXYXYX?JZpYXYXYXXYZYZ8YXZZYXYXY:?OCJYXYYZYZSYXZYXYXYOCOyWYXYXXYXYZYYYZYXYPOCppyuXYQYYYZOCOJXYXXXYZSZX9󩯟OCOJppZXYX_XYYZY8XYZYZYXY??JCJOJpyYXYXYX_Y񕥚ZYYSXP9:OJpyYYQZZ8Y9?JOJXXXZYYZY OJOJYXYZXP?JOJOJOJYYXYXZYS :YXYYXXYXZZYS XJOYYQYZZYYXOppXXYQYYZP88YXO uXXYX󉨕OYXXY_Y _8?0XXYQZ8 _ ??02 YpXY 8X_ p8 ??0@ pp 88 ?0@pXXYQ x ?: pYYQxx8??9 YX 88󉏇pYXXYQ 8 󉏇XYQ8y8 !"%$&'(*,01:ABCALLEYCATBAS3ALLEYCATBIN2ALLEYCATNIBBLOMANDNBIN= BLOMANDNTXTBOSTONCMBIN _BOSTONCMTXT >CAT NIB+ICOLORADOBIN<COLORADOTXTDRNKNSLRBINDRNKNSLRTXTEDYSTNLTBINEDYSTNLTTXT8ERIECNALBIN4ERIECNALTXT9FREEZE NIB GIRL+ NIB)~GREENSLVBINOGREENSLVTXT6HIBARBRYBINHIBARBRYTXT?LEAR BASmLEAR TXT@LOCHLOMNBIN;rLOCHLOMNTXT>LPOACHERBIN5LPOACHERTXT7MATILDA BIN MATILDA TXT NIBLOADRBIN`NIBSHOW BAS#PIPINTIMBINPIPINTIMTXTiR&SCOAL NIB/NSEASON NIBSMURFS NIBSONGBOOKBASSQSCODERBIN.STRING4 BAS-USAMAP NIBV?󉏇XYxy8 ?pXYQSWx?Y8x8 ?X Y8?Qꀨ8 9:X_Q 8py8 ?X_Y_  p :X_Y 8y8 ? YX_Q py p Ppyppy  P  8x xypP  P_QxpxxyPP PPxyP PXP8xy P PX: PxyP_:YPyY YX_PPPZYPPPPPYXY PPY P_YP_ 񕐕PP YPPPQ YPQ  PPPPP PPXPPP_PPZPP PP PPPP_ PP_P PP   PP_  P PPP PPPP  PP PP PP Y PP PPPYPP PPY X Z P   PXP PZ ZX YYP_Z P_ZXZ X YXP  X PPY PXPPXX PX P_PP P_PXP QpPPPX  PP XP  PPP_PYYYXPX   PXP PXYYYXPPW PYPPW XP PYYy _QY 񅏉_6` `~c ~a5{YlaO~m=3o~yo{ٌǛ<7O}K{WSۿogflQ_ooc=6<1O'Ygm<8`og~V8lfo0{Ԯv@5of{c՞7~mfn16sy~> yvXn߽ow_>^@x{W?.ɒ{=R@߷~{7Y}kꭅ?v׬ 3`63 )s_?w6Rخ5Q?kL^0?o~ｯ#3@ ~ &b700,30720:8:F$(20):80:SL1:HN2:E424064:282,255:59078,33:E,0:63:52: 2: 2&SS0:0:0,0:0,0:8,63:1,11:11,11:1:33,0:3,0:"NIBSHOW 3.0";:0,0:60,1:"Border: ";:60,0:"Hscreen:";:0,0:"Drive:"DR;:61'0,22:"Arrows"14)"D:directory C:change drive S:slide show X:exit";:0,23:"Space/Enter:load B:border swap H:HSCREEN swap T:comments P:palette";' K09:0,0:A1K'HS(A1)(((A1)4)4):VS((A1)4):HS203,VS4((F$(A),8)"."(F$(A),3);:A(SOLSL:HS(SL1)(((SL1)4)4):VS((SL1)4):HS203,VS4(0,1:(F$(SL),8)"."(F$(SL),3);:0,0:135,0( A$:A$""9:A$"D"56:2( A$"C"28:2( A$(10)SLSL4:SLK SLSL4) A$"^"SLSL4:SL1SLSL4). A$(8)SLSL1:SL1SLSL1)SA$(9)SLSL1:SLK SLSL1)A$"X"0,0:1:(&HCFC3)141282,0: :)K0A$" " A$(13) NLSL:30:2)A$"B" BC0 BC63:61:9)A$"B" BC63 BC0:61:9*A$"H" HN4 HN2:61:9*7A$"H" HN2 HN4:61:9*vA$"T"(E)670,17: COE7E246:((CO));:CO:9*K04*A$"S"SS1:68*A$"P"A015:A46,17:A;:A46,18:(61465A);:A*SLOL 9+HS(OL1)(((OL1)4)4):VS((OL1)4):HS203,VS4+L0,0:(F$(OL),8)"."(F$(OL),3);:7+`7,0:0,0:"?";+A$:A$""29: A(A$): A0 A3: DRA:6,0:DR;:56+F$(F$(NL),8):(F$(NL),1)"B" I1: I2+ I1(&HE10)24633 :52:33, (&HE3C)18954,4! I1 FS&HE92 : FS&HEAE,b"X07: FSX,((F$,X1,1)):X:HN:DR,#65496,0: I13840 :3644,$65497,0:0:135,0:(E)6738,%(424311),&65434,BC-#'CM03:CM(CM)(65467CM)64:CM:A0:CM6146561480:CM,(65456A)64:AA1:CM:0->(A$:A$""135,0:-R)SS0TD -g*(423943)051-}+(423943)4249-,(423943)4551--TT(423944)48: TT1 TT947-.T12(TT)2:T:T0(0):51.#/I(423944):I8364: I8265: I7166: I6667:51.Z0T015: T,((A$,1(T2),2)):T:423943,0:51.1DCM(3):CM(3)CM(2):CM(2)CM(1):CM(1)CM(0):CM(0)D.2CM03:11CM,CM(CM):CM.340/465496,0:M"NIBLOADR":65497,0:(&HCFC3)&H8D &HE76,&HCE:&HE77,&HE7/ 5/0665496,0:M"SQZLOADR":65497,0/67/865496,0:E,0:35,15:0,0:"Reading";:J1:S311: DR,17,S,A$,B$:A11283209(A$,A8,3)"NIB"((A$,A,1))0 F$(J)(A$,A,11):JJ1 : (A$,A8,3)"SQZ" ((A$,A,1))0 F$(J)(A$,A,11):JJ10!:A:A1128320;(B$,A8,3)"NIB"((B$,A,1))0 F$(J)(B$,A,11):JJ1 : (B$,A8,3)"SQZ" ((B$,A,1))0 F$(J)(B$,A,11):JJ1068,0:HN;:1?A$(&H7C)(&HFF):PP115:B$B$A$((&HB0)PP)(&H12):PP:A160:1024A,((B$,A,1)):A:1024A,57:01025:1@A$"00010203040506070809101112131415":1AA$"00043236374433383552535455603534":2BA$"00022016182219232630585150172106":2ECA$"00010809111025312724141513292812":2D32,15:"Delay (3-30): ";A$:TD(((A$))): TD3 TD302: TDTD602EA015:A,0:A:NLSS:30:SSSS1:SSK1 SS1:69:694433383552535455603534":2BA$"000220161Xw|)?Axa߫cͣ@Q\x޻?wߗ ǹDdk@6ئwS%ܝ^ӏp{ogV߾m: ٰg@+P߀ of_5.(͘R:@QNk=㟶l0l۶2|rV@1^9߼}RM1<@lc?9x/Uc(fc Ps_u&_t 6g{ssVwsT@ 3m[MAg}zY߿_@l3lY=K3os[/@9x`6T 6mn?M}o ~e@{`0lv64o%ݍQ]{Da@w70x. _m]sJ0@ \5$_+@>c13X@nl\R_q~ɵkoUcqA H@l6`^͠TS?ѧj @6 ;QFU{Ǚ0@k$ Ecܴ}i0 :@5+rfwo'_8{@ h)]ػXRf۹c@ <(`m։Uawx;[컽Wv-{1 @co{ LeƩ4{o~{.`г*@co' S97e[%Esi&`@1`91JI4_}X@1M0P c꣪7QP@qX6EBP~?줇Q!@yX陼iۃ$ ݽZ]Yz1@)Xx٘,xw6V楝\-J He#TEhtԴ]o}c@}JY^ظS7f@WH~ٝTbn+{\:fkUNz f{kf e~A|-HN@w[cPެ>@?;&{[Kb3V-E ;_l<@ Ңk|B1y]@j)QάT@_~=[?yD@$Pяn4@~\Ҽ+)a I0ZnKv~W430 c6 '(Wg|zJ~Yۋ4B]j{lD  hzbhٹ>jsS koI-T@^Ww-R+c~?&,@g=^栲% 6?AU\ut{p@} }UL` I>=ܴ EF67 jw,` a!@Q4f%ܟc@ @ ` ap@9ҳ&m\@:@P` aTf0F5uzJ@n a a2ͼ 3 :juU@'΂2B ,a֣ h%/W)t@^IB2@J c{zTR&P@~` 2($(Ex0EF @&@# }O鎰Bp+6@&HD2Z~D`'b. @d2 !kWMhK*ͧjPM2X[Y@'@?ys!ra@, 22)K]<0 0@LE20Т9@?)lq@00@ %#>r` 90fo0ݸPyX@D ժ1p ; WuBew`@ E#@ hP?ig.0@ !Ç0p4?q:L-]̘8O л@ PĀr@X4M( ـ)&@(,˜2 0lMX8IHPK@!@2Hj8j P n@@z `02Z&be!Y@@  x270p†AB$"ـ @` *0aĆҀA00EZ!@ *&aAy`J]P@ ?*@ "AA)4ZHW * @ !@(\ @\ ,"3R(!X A@p yh$qT@0D $BE@ o _t(  !D@@t ^<A@)l s#3Dh @Î N0bv&53*(AQ@% h0Ga@&d0-< 3/Q@ h.`Z *պgx)31@ $^0 s5yh vD61@ \ 0@ʲp[ijt1@ "s#p-`?0@!0`| (P@@  (@  @ Q`!B\@@ " (A@ @AD@H"d(HJb @A@ DB$`$D  @@@HFF 0 @@ @"$A D@0B%1XH@@ @B@`(! @ "H . @@ @!L @ T  F@ P@B  A  %3;Ad@ I ) "PPB`F@ `@hԁ)F9@ds@L"GJ( Z(D@M5Q.uP!cQ)2S + $H @QeQ23(aL1%NcS`!@ p6cq(j %Q 6" 51`( -/@ A@$133(0 @` )0@P @@ @bA v )A@! ($0 [ `@t  @ <@&@p`D '+(A0@@! @ 0P@0E *@!p#@ Q%F@@ #-!A @T@@ @V@R hP@ @A  5 d FA  (D B dDA D @ `!  tF$$2 L "@$  H D&A 6JP.    `@+]vL@VH2&$B\U ;Up &Q@@ DH@0@D1@MS BxHB@&kIЫ"i`@ (!@[v4 mdl@@ DP( ԇﭏR"se @@   @l4$.A @jPh*P @@$@BA@ %B m2s}9P BE@AI@ m4d($$ (@b( $,:SHF#a P "!22 @S4(DX!WRD @ H @ق%z'iȀ6P*!` @@, H&B A,@o3쀑kJX3@ h$ e2JbHh$  pH @!J@b $(@J$  "@ D| @`"Da) PBN@@@ jABBB@ jPPP@@ jPPP)@@ jDDDQ@ jPPP@@ rPPPA@@"BPB@@@xF8o8T>/?ހw+؀?P8v1q&?7?3?zw4?~yp>??}}h~?> ?Cn6X+bo~>ŷw6skO_ُ~/}]~As@m ӿ73<g燷}'Ϸf? ?[7W͛79[)p}ot? O@?m<}%?Q}y?o?_?]{go?0w{v}{7Ϸw3{??>?w|{c￀kx=_6{ͷװMvw<{ٿu`nۭo>߿wum{cy_(}>=wO͟}K럸oox~gX| ި{_?+\x}AksGȷ|xm{ۤ5?o|?z?=b9 ZfXGn`aw_7<ϓ߲yfݟӾ_{U_S{s}׻u]oL_?Xۺ.`c7 w~Aϡߞ ?{{s33{~|?q>{c  ?{=@ݿ|  ??# ;?8????f|0|py@t QQ on`n n`nnn n`n``n``   nn  ` n` ``   p P ts@Ppqs $`c @p8@PG p 8 pЏFи psp4 @PЀ@ 0`0`0`@ `Ѐ@07а @P p ?0`p0 @  7@ааpPpXpPа p6а0 1@p@0 xp@pG p@0@@TT@A  EFECTS*94T@EFECTS*94T@ DD@H@ ....@P(l(l AE ((0....D (($"DP@P@P@UPA.`@@@@a0I*!@@`00 " @ .DP"0bD!@ 2@pd P@"f @$@*9w0 `@H@(€ ( 0 00D@9  `T@Y*Uf4 b# @(\8HCBDAUBf.U < $x0 `?n 0 s@(.50,HBD3UB0(_d$T!| pIUT53BP0H#&Bd`;BA`w{l    0J?(P @;300<$cP wx( qno<d$"@  HD qv:D cIUXTP*BPw <0$3 BN`fj@ 0300 300303T$( L@ c3c`c`c`;P*`0```p 0!@!)!$Z!HPQ@()!((.Z(@ A@mA@@fA A@AC@fA5;A `3@" R`2Ɛ fa  P  4 C((()(\%IWpA@AJAaAoA@ABBGqt  D 9@\)P`(PB`-z@|pH`(Q(PB>`@2`p <p`RP@[P %H`p6@0 @AJ 1B `2t`=P>" 0P0f0`"UA`wUPP0P0g0!P S `#@` xx w=S= "0P0|070 `` P>0P0040 S 1"UA` wUH`H Sͳ 1 0P01070y` P1Pw0P0 p40" S 0`> H߀HQP S`f @0P030"UA`e 0FwUPPƀ0P020 x@ S X`` eDHHw S03  K"0P030IJ7(` -PP1เ0P0280  S0 {y`  HH"  S C0P030f`<nPP(0P07x0(xmD S03m}`HHI{t K` 3ꏀ0H070."``!-PP5`0H0?0 D 3 K `` bZ U@HzH]ԅ K  I =0H0 0  ` P00@0 D@ QI 0X00@0a```0`0 0 @0D(  D    <~}~+2 ! @nK)P0/ pW|s`y>~p՜j< |F-kwv  pp0+;{s   =<8pP`S|`|`3|p{ ofn   g ~ Ü  À  Ø   Ø Ø  Ø Ø  >ۘۘ?   ߘ ߘ ߘ >  ߘߘ  ?  ??  ????;???> ?> ?> ߛ  7< ?> > > > ?  ????< ? ????;78 ;Ø;ǘ11;?; ?< 88?3$&<>8$' > > > ?  ????< ? ????;78 ;Ø;ǘ11;?; ?<? P      0000000000000000000000000000000000??????0< %m[ڣ +qFc  dR%E&R(P J(0~(X1R%D P1mJڣ g +q#ˆQ&$$԰)H$(()*P0()P $H =o0floq !@$2 @-2 ڔ)HJ@@)IPJ@$)LP?b T%H*@  y@n;3@B 0B@ @ o3gJ@ $Ă"-<&@($‘(~`` 1`R $b@ gǔnLg 0`P7$# VD  $` $$`a@ $$ (` `$0(0 RQ`1$Jc, f {T0N00W0RPq̠o0K V% #3  ˀ$@H`$P` $PP 0`&$?P?0  %RhH"T c0JsV%*3 |`@d0@8H7%$YJ` B /1K@8 $  @R !`0 @Q` pP;  1H@ ` c717 mYJ3` H pc` ) P1DD `n@qL  0l  a 1 Ry Ihax "c(JI@PCT\ "_J1@P @@  R HP#@`@3q f0!)` p0`(`x@  H  (zf$`zZ 0B0 B@;$ <<J@0   )` D٘a@N@aL  H 0 PQ00"(`0$!$@0@` `H x `Ð0$ p@0 @0n Pl9( `L'(` 0`P`  Mp`@`05b@T  `@ P( @` Rہ@ @%0@@H,@ Pma0  cJ( $@ 0(P P@`p(B (P @ A `  (P $@`0`HP00A( `0 $0@0 (! @@ 1 P0`38 0h@ BP (,4@`"(pP8p@ rNPh, AQTS P@dF (`@P  ` h-*[UAI(& l- 6li m[V;mK-1 "Pc@Z:D v*Z Q@w3q 8=p,H:(AHIA @PJH@PJ`@ D(!q0`P  <0 0 eݶ6><7!@ La 0èxA4>zDB]SFRJZ!BHI"B@$@`0(n  ͎ c6c3Hox߆c?x8ÿ9??o>  < {Ѹ????>???|{7y{a{c{910?0010100p00>`9p>10||0|;1~081?~80 po 0yp@0ÀðÀ00g0f0n0npnpn`p`|`<`<`<0<<`?6.&8"(  H'0h'KP`&9 I015: I,0:I:2,8:3,11:4,29:5,31:6,59:7,63&E0,0:2&A$"Harold J.Moenich":L22:80:A$"715 Greenleaf Drive":L24:80:A$"Monroeville,PA 15146-1133":L26:80:A$"Letter To ALL COCONUTS...":L29:80'A$"I WANT TO WISH EVERYONE HAPPINESS":L211:80'L A$"I ALSO WANT TO WISH EVERYONE HEALTH":L213:80'!A$"IT IS SUCH A GOOD FEELING TO ENJOY":L215:80'"A$"THE FELLOWSHIP OF DEAR OLD CFDM 1998":L217:80'#A$"CONGRATULATIONS GO TO JIM DAVIS AND":L219:80(*$A$"RICK COOPER FOR THE FINE PROGRAMS":L221:80(`%A$"SO LONG EVERYONE AND COCO FOREVER":L223:80(i&20(PL(A$):L120(L2):I1 L:J15:J:K07: K,0:(L1,L2),(A$,I,1):J120:J,K:L1L11:I:GO TO JIM DAVIS AND":L219:80(*$A$"RI َ`0   Ơ01!|0Z&9Ơ1!0Z&Ơ 1! 3&x'  9 ' | `0Z&Ơ' 01!Z&Ȏ&"01!#0| ľ0 11! 1! 1!|||$Q01!"~P lĶ0| |9Ơ01!Z&O &01!1?0'~~<َ0  `01!Z&Ơ01!3AZ&9 'u''& 0'  9 ' Ơ01!& |`Z&Ў      3_ | z&o i&9ؾ   9 | z&o i&9ؾ  D Y!GCGCGCGCGGGGCGCGGGCGCGG@@@p@G@t4p@@@OCG G   @p@@ G  @@t4p@@CG   G                        `@@``@``@`@`@``@`@``F     @`````a``@`a   @@ `                            G   CG  CG  @tp`p`@``@n        @`@`@```@o`@```@```@```o``````o```@```oG``t4p`CG`@tp``@o@`oo`o`@@`op@oGoCG`oCGGoGCG@p@OCG@@@tp`o@O@O@@`o@`@`@@`o@@@L@`@@@L @`@@   @@@@`@@`@`@`@ ``o ``@ p``@@tp``@@t4p`@@t4p`@@tp`@@p   `@@tp@@@t4p@ CGG`@@p@`@@ @`@@  @@`o `o @`@@@`o@`@p@`oG@CG`@@t4p@G`@p@`@`@@               00`P``P``P`P`P``P<               0`P`P`P`P``P`P`P`P`P`Ps 0`P`|xx  @0`xx( P @(` P 00`)@()@(00 J`J00T@`)@d` 0)@ `i<$=*<.@*C<~ R& C~p S<xb@<<<G@"! xh( @ xl">1<0,"<  P#X 3 @0@4-  @.R@ ` R`a<0-, A 0~ 3bx0  FØ@xhCZ}:`@xx`00 P c`` PZp; y4`" ` 0`.c10@ P# x1R8p0  0P0-`a ` w0( `40 @AmS0`:dl0#@#8)0`t ,:`9 x@@`0TB@ <@< p(@b\x<N Fh@0~dL ,; `~#  tx`<1;0-<pC8 00t@a `` ,@` 4, 7<6>>666777  ` ~ ` f Ϝx`gowØ;ÀÀgv`````a`````f`oomol;~~p`gp`gp`p`p`gp`f`ps矀s?3?3?3`3?31;@p;p==p?3?? ``0p`o8xo??77?7===p8018s8`w8p|op|?3}=?9>><<ῼ<8p85(%81 J0jSWY!8s8`w8p|op|?3}=?9>><<ῼ<8p85(%81 K0kTpZqppg{s}||xxxx>px`?}0M  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9ULëLƩLɩL̷ 1& ' Ǧ 9u&O9 8:@D J: JH:( JD: JB:( J@: JB:( JD: (J@:J@:J@: JB:( JD: JF:( NH<(&(  NJ< NH<( ND< NB<( N@< NB<( ND< (N@<N@<N@< NB<( ND< NH<( J@:&(8:@D J@:02  J@ ND$@ND2,  4.@6,  , J< N@"@N@2(  4*@6,  ( J@ ND&@ND2,  4*@6,  ,J@ NDJ:"J: H6$ D2& @0( >2<68:@D J: JH:( JD: JB:( J@: JB<( JD: (J@:J@:J@: JB:( JD: JF:( NH<(&(  NJ< NH<( ND< NB<( N@< NB<( ND< (N@<N@<N@< NB<( ND< NH<(J@:>&@(2 :262,62 $82,62 &:2( @:2H@4 H@2 ,D@R>JD PJ>*NH<(JD: JD:NJD: JF:( NH<(&(  NJ< NH<( ND< NB<( N@< NB<( ND< (N@<N@<N@< NB<( ND< NH<(J@:>&@(2 :262,62 $82,62 &:2( @:2H@4 H@2 ,D@R>JD PJ>*NH<(JD:&&d:******************************&-n8&5x32&<0&LM"NIBLOADR& (&HCFC3)&H8D &HE76,&HCE: &HE77,&HE7&F1$"ALLEYCAT"&L2&HE92& X0 (F1$)1& L2,((F1$,X1,1))&L2L21&ҋ X&ܞ0' @169,(255);" ";F1$;" ";(255);'% @239,"BY";'C @294,"HAROLD J. MOENICH'U &HE6E4,&HE6'a" &HF00'h,2'o64'7M"ALLEYCAT/BIN":'8 311'@ "" 320'J:0'TF1$"ALLEYCAT"'^ @138,(255);F1$;(255);'h @206,"BY";(r @262,"HAROLD J. MOENICH";(| @239,"BY";'C @294,"HAROLD J. MOENICH'U &HE6E4,&HE6'a" &HF00'h,2'o64'7M"ALLEYCAT/BIN":'8 311'@ "" 320'J:0'TF1$"ALLEYCAT"'^ @138,(255);F1$;(255);'h @206,"BY";(r @262,"HAM  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9LëLƩLɩL̷ 1& ' Ǧ 9u&O9 00 : :*" 4 0*" : :0*" 4" 0*:: :4," > 80,& : :0* 0* 00:":" :0*" > >0, B B:0 DD:D: B :0* > 80, :0*" :0* @0, >0, :" :0* ::0*:0* 4( 0*" 0*"00 ::4,":4," > 80,& : :0* 0* 00 :" :0*" > >0, B B:0 DD:D: B:" :4* >4"8080 :0* 4," 0*"0,& 0,& :4* :4, >:, 8,& :*" :* :* N::M  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9LëLƩLɩL̷ 1& ' Ǧ 9u&O9 6 @0@0@:>6:2( 602, 0(60( @:0"@:0" D62>62@60(@60@60 @606 @0(D60 H@JD& NH(H6( @0D6 H@0"H@0"H@4D>4@:4D>6D>6D>6 D>66 @0(D60 H@JD& NH(H6( @0D6 H@0"H@0"H@4D>4@:4 D>6D>6 H>6D>4 @60@60@:>6:4( 604, 0(60(60 @:0"@:0" D64>64@60(@60@60 @60NH6( @0D6 H@0"H@0"H@4D>4@:4D>6D>6D>6 D>66 @0(D60 H@JD& NH(H6( @ GREENSLEEVES 16th Century English Folksong Transcribed by Roy Atkins using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- Alas, my love, you do me wrong To cast me off discourteously; And I have love-ed you so long, Delighting in your company. REFRAIN Greensleeves was all my joy, Greensleeves was my delight, Greensleeves was my heart of gold, And who but my Lady Greensleeves. I have been ready at your hand, To grant whatever you would crave; I wage-ed have both life and land, Your love and good will for to have. REFRAIN Greensleeves was all my joy, Greensleeves was my delight, Greensleeves was my heart of gold, And who but my Lady Greensleeves. My men were clothed all in green And they did ever wait on thee; All this was gallant to be seen, And yet thou wouldst not love me. REFRAIN Greensleeves was all my joy, Greensleeves was my delight, Greensleeves was my heart of gold, And who but my Lady Greensleeves. I will pray to God on high, That thou my constancy may'st see, And that yet once before I die Thou wilt vouchsafe to love me. REFRAIN Greensleeves was all my joy, Greensleeves was my delight, Greensleeves was my heart of gold, And who but my Lady Greensleeves. REFRAIN LINCOLNSHIRE POACHER English Folksong Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- When I was bound apprentice in famous Lincolnshire, Full well I served my master for more than seven year, Till I took up to poaching, as you shall quickly hear, Oh, 'tis my delight on a shining night in the season of the year. As me and my companions were setting of a snare, 'Twas then we spied the gamekeeper; for him we did not care, For we can wrestle and fight, my boys, and jump out anywhere. Oh, 'tis my delight on a shining night in the season of the year. As me and my companions were setting four or five, And taking 'em on up again, we caught a hare alive. We took a hare alive, my boys, and through the woods did steer. Oh, 'tis my delight on a shining night in the season of the year. I threw him on my shoulder, and then we trudged home; We took him to a neighbor's house and sold him for a crown. We sold him for a crown, my boys, but I did not tell you where. Oh, 'tis my delight on a shining night in the season of the year. Success to ev'ry gentleman that lives in Lincolnshire. Success to ev'ry poacher that wants to sell a hare. Bad luck to ev'ry gamekeeper that will not sell his deer. Oh, 'tis my delight on a shining night in the season of the year. gentleman that lives THE EDDYSTONE LIGHT Nineteenth Century Folksong Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- My father was the keeper of the Eddystone Light, And he slept with a mermaid one fine night. From this union there came three: A porpoise and a porgy and the other was me. Chorus Yo ho ho, the wind blows free. Oh, for a life on the roll - - ing sea! One night as I was a-trimming of the glim, A-singing a verse from the evening hymn, A voice from the starboard shouted, "Ahoy!" And there was me mother a-sitting on a buoy. Chorus Yo ho ho, the wind blows free. Oh, for a life on the roll - - ing sea! "Oh, what has become of my children three?" My mother then she asked of me. "One was exhibited as a talking fish, And the other was served on a chafing dish." Chorus Yo ho ho, the wind blows free. Oh, for a life on the roll - - ing sea! The phosphorus flashed in her seaweed hair, I looked again and my mother wasn't there. A voice came echoing out of the night, "To hell with the keeper of the Eddystone Light!" Chorus Yo ho ho, the wind blows free. Oh, for a life on the roll - - ing sea! A voice came echoing out of the night, "To hell with the keeper of the Eddystone Light!" Chorus Yo ho ho, the wind blows free. Oh, for a life on the roll - - ing sea! THE E-RI-E CANAL Mid-Nineteenth Century Folksong Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- We were forty miles from Albany, Forget it I never shall, What a terrible time we had one night On the E-ri-e canal. Chorus Oh, the E-ri-e was a-risin' And the gin was a-gittin' low, And I scarcely think we'll get a drink Till we get to Buf-fa-lo-o-o, Till we get to Buffalo. We were loaded down with barley, We were chuck full up on rye, And the captain he looked down at me With his god damn wicked eye. Chorus Oh, the E-ri-e was a-risin' And the gin was a-gittin' low, And I scarcely think we'll get a drink Till we get to Buf-fa-lo-o-o, Till we get to Buffalo. The captain he came up on deck With a spyglass in his hand. And the fog it was so gol-darn thick That he could not spy the land. Chorus Oh, the E-ri-e was a-risin' And the gin was a-gittin' low, And I scarcely think we'll get a drink Till we get to Buf-fa-lo-o-o, Till we get to Buffalo. Two days out of Syracuse Our vessel struck a shoal, And we like to all been drownded Like a chunk o' Lackawanna coal. Chorus Oh, the E-ri-e was a-risin' And the gin was a-gittin' low, And I scarcely think we'll get a drink Till we get to Buf-fa-lo-o-o, Till we get to Buffalo. Our cook she was a grand old gal, She wore a ragged dress, We hoisted her up on a pole As a signal of distress. Chorus Oh, the E-ri-e was a-risin' And the gin was a-gittin' low, And I scarcely think we'll get a drink Till we get to Buf-fa-lo-o-o, Till we get to Buffalo. The captain, he got married, And the cook, she went to jail, And I'm the only son-of-a-gun That's left to tell the tale. Chorus Oh, the E-ri-e was a-risin' And the gin was a-gittin' low, And I scarcely think we'll get a drink Till we get to Buf-fa-lo-o-o, Till we get to Buffalo. Oh, the E-ri-e was a-risin' And the gin was a-gittin' low, hM  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9LëLƩLɩL̷ 1& ' Ǧ 9u&O9 6&:2& @0(@60(@60(D>2( H@6(D>2(@0( D:2D:2D:2@:2 :2(62&:2& @0(@6(@6( @:(H<(N<0( R:2 R>, N@0(N>0N>0R@0"R@0"R@0"N@0" H>0H6&N6&J6&H6(D6&@6( :2(:2(62&:2&@0(@60(@60(H<6(N<0(N<0(R:2R>,N@6H@: D@:D>6D:2 @60 6262 @60(@:0"@:0"D:0" H>0 H80H80D60 @:0"@:2@:2:2( 62&62&:2& @0(@6(@6( @:(H<(N<0( R:2 R>2 N@0(N>0N>0R@0"R@0"R@0"N@0" H>0H6&N6&J6&H6(D6&@6( :2(:2(62&:2&:2&@0(@60(@60(H<6(N<0(N<0(R:2R>,N@6H@: D@:D>6D:2 @60ND60 @:0"@:2@:2:2( 62&62&:2& @0(@6(@6( @:(H<(N<0( R:2 R>2 N@0(N>0N>0R@0"R@0"R@0"N@0" H>0H6&N6&J6&H6(D6M  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9LëLƩLɩL̷ 1& ' Ǧ 9u&O9 @>6 D>64D>64D>64H>60D>60D>60D>60@>6,@:0( 6060:0 >6, >6, >6,&  >6, D>, D:,D:,H:,D6&D6&D6&D6&@>6, 6*  0*  0*  6* @:6( :4( @>6 D>64D>64D>64H>60D>60D>60D>60@>6,@:0( 6060:0 >6, >6, >6,&  D>, H>, N0&N>&H>& D4,D4>4 :4&:4&60& :0 60 60 60@6,& 6,& N0*  0*  6* @:6( :4( @>6 D>64D>64DM  "#&')*+-.012457889;;<<>>>???????>>><<;;987754210..-+*)'&$#"  """""#######""""   7J^r +Lo?qV(v!J/ 0 P C s_X`w&+ "$&)@+.M1L?#P0jßƟɟ0991PϦѦӦ՟9LëLƩLɩL̷ 1& ' Ǧ 9u&O9 @: @:@:2(D:2( @:2(:2:22"2:2:2" @:@:2(D:2( @:2(:2:22"2:2:2" @: @:2( @:2(D:D:D:"D:D:D:" <6<6,$:,$ <6,$666$66:$ <0 @0( <0(60600(0(606 <6 :2( 60(D<D<D<D<D<D< @0 @0$ @0$@0@0@0@0<0<0 :0:0($60($ :0( 2 2(" @: @:@:2(D:2( @:2(:2:22"2:2:2" @:@:2(D:2( @:2(:2:22"2:2:2" @: @:2( @:2(D:D:D:"D:D:D:" <6<6,$:,$ <6,$666$66:$ <0 @0( <0(60600(0(606 <6 :2( 60(D<D<D<D<D<D< @0 @0$ @0$@0@0@0@0<0<0 :0:0($60($ :0( 2 2("ND:D:D:"D:D:D:" <6<6,$:,$ <6,$666$66:$ <0 @0( <0(60600(0(606 <6 :2( 60(D<D<D<D<D<D< @0 @0$ @0$@0@0@0@0<0<0 :0:0($60($ :0( 2 2(" LOCH LOMOND Scottish Folk Song Scottish Folk Song Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- By yon bonnie banks, and by yon bonnie braes, Where the sun shines bright on Loch Lomond, Where me and my true love were ever wont to gae, On the bonnie, bonnie banks of Loch Lomond. Chorus Oh! Ye'll take the high road, and I'll take the low road, And I'll be in Scotland afore ye, But me and my true love, we'll never meet again On the bonnie, bonnie banks of Loch Lomond. 'Twas then that we parted in yon shady glen, On the steep, steep side of Ben Lomond, Where in purple hue the Highland Hills we view, And the moon coming out in the gloaming. Chorus Oh! Ye'll take the high road, and I'll take the low road, And I'll be in Scotland afore ye, But me and my true love, we'll never meet again On the bonnie, bonnie banks of Loch Lomond. The wee birdies sing, and the wild flowers spring, And in sunshine the waters are sleeping, But the broken heart it kens nae second spring again, Tho' the waeful may cease frae their greeting. Chorus Oh! Ye'll take the high road, and I'll take the low road, And I'll be in Scotland afore ye, But me and my true love, we'll never meet again On the bonnie, bonnie banks of Loch Lomond. us Oh! Ye'll take the high road, and I'll take the low road, And I'll be in HIGH BARBARY Transcribed by Dave Otis using George Quellhorst's MUSIC3+ ------------------------------------------------------------------------------- Look ahead, look astern, look a-weather, look a-lee, Blow high, blow low, And so sail-ed we. There's a lofty ship to starboard and she's sailing fast and free, Sailing down along the coast of High Barbary. "Oh, are you a pirate or a man-o'-war?" cried we, Blow high, blow low, And so sail-ed we. "Oh no, I'm not a pirate but a man-o'-war," cried he, Sailing down along the coast of High Barbary. "Then back up your topsails and heave your vessel to," Blow high, blow low, And so sail-ed we. "For we have got some letters to be carried home by you," Sailing down along the coast of High Barbary. "We'll back up our topsail and heave our vessel to," Blow high, blow low, And so sail-ed we. "But only in some harbor and along the side of you," Sailing down along the coast of High Barbary. For broadside and broadside they fought all on the main, Blow high, blow low, And so sail-ed we. Until at last the frigate shot the pirate's mast away, Sailing down along the coast of High Barbary. For quarter, for quarter, the saucy pirates cried, Blow high, blow low, And so sail-ed we. But the quarter that we showed them was to sink them in the tide, Sailing down along the coast of High Barbary. With cutlass and gun, oh, we fought for hours three, Blow high, blow low, And so sail-ed we. The ship it was their coffin, and their grave it was the sea, Sailing down along the coast of High Barbary. With cutlass and gun, oh,Interview: DALE LEAR E-Mail: dalelear@crl.com ----------------------------------------------------------------------------- Dale Lear, currently aged 47 and living in Austin Texas, is one of the early pioneers in Color Computer software development. Married and with six children ranging from 16 to 24 years of age, he has also had plenty of experience with fatherhood! Dale's programs have always had the distinction of excellence and are some of the most popular, even to many of the remaining Color Computer enthusiasts today! # PROGRAMMING ACHIEVEMENTS Product Title Product Description Year Distributor ------------- ------------------- ---- ----------- Fire Copter Arcade type game 1982 Adventure International DoubleBack Arcade type game 1982 Radio Shack PickWhich Arcade type game 1982 Spectrum Products Color Baseball Arcade/Sports game 1983 Radio Shack TSEdit Text Editor 1983 Radio Shack TSSpell Spell checker utility 1985 Radio Shack TRSCopy Utility 1986 Radio Shack Color Scripsit II Word Processor 1986 Radio Shack DL Logo Programming Language 1987 Radio Shack # INTERVIEW Q: How and when did you become interested in computers? A: Since the first days of programmable calculators I was hooked. I remember being thrilled just to get a calculator to count to 10. Q: What computers have you owned and currently own? A: I have only owned Color Computers and Macs. I use a PC with my current employer, but of course they purchased that. I have yet to send any personal funds Bill's way. Q: What was your favourite computer and why? A: Screenshot of Fire Copter There are two levels to this question. My favorite computer to use to get work done is probably still the Mac. I have done programming for several computers, mostly UNIX boxes, lately... but I started early. Even back to the days of a processor no-one will probably remember.... the Intel 4004 (predecessor to 8008, predecessor to 8080, predecessor to today's Pentium). It was a lot of fun to work at such a low level... but the answer still has to be the one your hoping for.... the Color Computer was the most fun. It was a very enjoyable episode in my programming career. It was computer enough to touch and experience, and yet small enough to still get your brain around the whole machine. Very satisfying. Q: What companies did you work for? A: In my CoCo days I had my own company, creatively named: Dale Lear Software, Inc. Before and since that interlude of independence, I have worked for "Fair Isaac", a company producing decision control software, primarily to the credit industry. Q: How did you get the contract to develop software for Radio Shack? A: I called Tandy in Fort Worth and got information on how to submit programs for review and what they were looking for, etc. I programmed DoubleBack within all of their most desirable guidelines (for example, DoubleBack runs on a 4K machine, which was still owned by many people at the time). I think the real differentiator for me, however, was that I burned a ROM, and submitted the game to Radio Shack for review already on a cartridge. I figured this would let them know that the game was programmed with ROM in mind, it was easy for them to try, and it gave me a bit of creditiblity. The guidelines said wait 30-90 days to hear back... I heard back in about 3 days! That started a long mutual relationship. Q: Did they ask you to develop a certain type of game or did they take anything that you chose to write? A: Baseball was my idea. At that time baseball was kind of being held up as a video game benchmark... it was Intellivision's selling point over Atari. Radio Shack had yet to have any success in programming a playable baseball game, but I was convinced the CoCo could do a better job than either - I was right. Most of the other projects were mutual. I did TSEdit for myself, to have a usable text editor with which to develop. Tandy was interested, and bought the rights. Later they asked me to expand it with the spell checker, and the repackaging into Color Scripsit II. D.L.Logo was also something they particularly requested. Q: Did Radio Shack give you a prototype CoCo3 to work on? A: I received a very early prototype... perhaps one of about 5 or so. It was pretty much like the production unit. Q: Can you tell us any interesting "stories" of your past development days? A: I remember when I was developing TSSpell, I sub-licensed the dictionary and compression algorithms from the people who produced a PC product called PFS Spell. In a technical meeting with them, I was reviewing the architecture of TS/Spell with them, showing them the improvements made through the use of multi-tasking. They had developed PFS Spell in DOS, and they were surprised and questioned, "Multitasking?"... I remember replying "Oh, didn't I mention - OS9 is a REAL operating system!" Q: Are you still developing for the CoCo and why? A: I stopped independent product development in 1988, when the market was shifting and commercial products began emphasizing Mac and PC, and most new products included man-years of development effort, i.e. a one man shop could no longer compete. Since programming was my livelihood, supporting myself and six children, I couldn't afford to work if there was no market for the fruits of my labor... sad but true, there is no longer a market for Color Computer software. Q: What are some of your favourite CoCo products of all time? A: The most elegant product was probably OS9. It was simple, yet so well matched to the machines hardware that it had to be what the 6809 architects had in mind. For my money, it was ten times the OS that DOS was at the time. Beyond that, I had a lot of fun with Temple of ROM, Sands of Egypt, and even my first creation: DoubleBack - a game written in only 4K, but very "playable" and fun, if I do say so. Q: What is your opinion on Software Piracy? A: It takes a lot of diligence to create and package commercial software. The people who put the blood sweat and tears into it should certainly be paid. There is always freeware available from the hobbyists. If you want something more professional, you should pay the professional. Q: What is your opinion of the CoCo2 and CoCo3 hardware platform? A: Screenshot of Baseball They were logical progressions, and of course since my career was at the CoCo, I was more than happy to see the continuing support from Tandy to improve the product. I remember wowing everyone in an on-line chat session the day the CoCo3 was released. I had had one for a while, being a developer for Tandy, and had prepared a file of ASCII characters that painted a picture of the keyboard. During the forum, someone asked what the keyboard looked like, and I was able to dump the picture onto everyone's screen. Yeah...the things we thought where pretty cool then. Q: Was there ever a CoCo4 in the design stages? A: Not to my knowledge. Q: If you were asked by "Mr.Tandy" to create a CoCo4, what would you include? A: I suppose what I would do is keep the CoCo pure... after all, the fun is to push the limits of what you can do with yesterdays technology. I would just add some sort of interface to a Mac or a PC so you could do your development in a more state of the art environment, and then ship it back to the CoCo to run in it's "pure" mode. Make it more of a hobby/learning lab thing. Q: Have you any "words of wisdom" to pass on to any budding CoCo programmers? A: It's wisdom to keep a realistic perspective. The CoCo at this point is for the historian and the hobbyist. Have fun, learn, press the limits... but keep your day job. ----------------------------------------------------------------------------- Interview copyright by Nickolas Marentes - September 3, 1998. his point is for the historian and the hobbyist. Have fun, learn, press the limits...